Steve Ceruti
π€ SpeakerAppearances Over Time
Podcast Appearances
Yeah, and I guess I felt guilty. And maybe, again, it was expectations of people talking about, like, this is one of the greatest films they'd ever seen. I didn't know if they were tricked by the overture, perhaps. Correct.
The intermission of, like, hey, we got a little Gone with the Wind action here, you know?
The intermission of, like, hey, we got a little Gone with the Wind action here, you know?
The intermission of, like, hey, we got a little Gone with the Wind action here, you know?
It is a really good movie, but there was just, at least for me personally, my experience at the end of it, I don't know that I cared enough about any one person to feel something the way that I think it was intended.
It is a really good movie, but there was just, at least for me personally, my experience at the end of it, I don't know that I cared enough about any one person to feel something the way that I think it was intended.
It is a really good movie, but there was just, at least for me personally, my experience at the end of it, I don't know that I cared enough about any one person to feel something the way that I think it was intended.
Yeah, I mean, that was kind of a tough spot all along. I loved the beginning. I loved the guys coming over on the boat. I think it was really cool how they kind of planted the seed that, like, this guy's not afraid to party. Like, right into it.
Yeah, I mean, that was kind of a tough spot all along. I loved the beginning. I loved the guys coming over on the boat. I think it was really cool how they kind of planted the seed that, like, this guy's not afraid to party. Like, right into it.
Yeah, I mean, that was kind of a tough spot all along. I loved the beginning. I loved the guys coming over on the boat. I think it was really cool how they kind of planted the seed that, like, this guy's not afraid to party. Like, right into it.
Yeah, who's then, like, it's almost like they have to address Adrian Brody's nose. She's like, you have an ugly face. He's like, yeah, all right. You know, what are we going to do? While we're here.
Yeah, who's then, like, it's almost like they have to address Adrian Brody's nose. She's like, you have an ugly face. He's like, yeah, all right. You know, what are we going to do? While we're here.
Yeah, who's then, like, it's almost like they have to address Adrian Brody's nose. She's like, you have an ugly face. He's like, yeah, all right. You know, what are we going to do? While we're here.
Mikey Madison's portrayal of a stripper for that opening montage is is one of the most realistic and believable performances by any actor I've seen in a really long time. Like, I'm watching that going, she... Has this like, you know, look, so there's just so many great people out there performing these roles. But like, is it believable?
Mikey Madison's portrayal of a stripper for that opening montage is is one of the most realistic and believable performances by any actor I've seen in a really long time. Like, I'm watching that going, she... Has this like, you know, look, so there's just so many great people out there performing these roles. But like, is it believable?
Mikey Madison's portrayal of a stripper for that opening montage is is one of the most realistic and believable performances by any actor I've seen in a really long time. Like, I'm watching that going, she... Has this like, you know, look, so there's just so many great people out there performing these roles. But like, is it believable?
And maybe it's because the audience isn't as familiar with her that makes that work. Like some of those battles that you'll have in casting where it's like, OK, no, I always kind of talk about like movies where people will say, you know, what's the first thing when you tell somebody they should see a movie? It's like, well, they'll say who's in it. And that's why casting is as powerful as it is.
And maybe it's because the audience isn't as familiar with her that makes that work. Like some of those battles that you'll have in casting where it's like, OK, no, I always kind of talk about like movies where people will say, you know, what's the first thing when you tell somebody they should see a movie? It's like, well, they'll say who's in it. And that's why casting is as powerful as it is.
And maybe it's because the audience isn't as familiar with her that makes that work. Like some of those battles that you'll have in casting where it's like, OK, no, I always kind of talk about like movies where people will say, you know, what's the first thing when you tell somebody they should see a movie? It's like, well, they'll say who's in it. And that's why casting is as powerful as it is.
But a lot of writers and directors can sometimes be like, I don't want somebody that's almost too distracting from my words and the story that I'm trying to tell. So I feel like Sean Baker nails that. Nails that combination of the casting because she is so good at...