Tanya Mosley

He says something after that.

He says something after that.

Yes. Right. Right. Exactly. Exactly. Right. It's important. That's such an important line because it brings into focus that these vampires are like draining more than blood. They're draining culture and identity, but they're also offering something back like in replacement of that. Like, how did you land on using vampires as a metaphor for that kind of extraction?

Yes. Right. Right. Exactly. Exactly. Right. It's important. That's such an important line because it brings into focus that these vampires are like draining more than blood. They're draining culture and identity, but they're also offering something back like in replacement of that. Like, how did you land on using vampires as a metaphor for that kind of extraction?

Yes. Right. Right. Exactly. Exactly. Right. It's important. That's such an important line because it brings into focus that these vampires are like draining more than blood. They're draining culture and identity, but they're also offering something back like in replacement of that. Like, how did you land on using vampires as a metaphor for that kind of extraction?

But I think it's super fascinating, though, that like when I asked you the question about like what drew you to this story and why you had to tell this story, you said immediately like my life experience is the reason why I wanted to tell this story. What drew you to a vampire story?

But I think it's super fascinating, though, that like when I asked you the question about like what drew you to this story and why you had to tell this story, you said immediately like my life experience is the reason why I wanted to tell this story. What drew you to a vampire story?

But I think it's super fascinating, though, that like when I asked you the question about like what drew you to this story and why you had to tell this story, you said immediately like my life experience is the reason why I wanted to tell this story. What drew you to a vampire story?

Like this crossroads, like the devil, the deal with the devil kind of thing. Yes.

Like this crossroads, like the devil, the deal with the devil kind of thing. Yes.

Like this crossroads, like the devil, the deal with the devil kind of thing. Yes.

Jack O'Connell, who plays Rimmick, the Irish vampire antagonist, he is relatable kind of in the same way that I'm thinking about Killmonger and Black Panther was relatable. Like in many ways, saying kind of speaking the truth, speaking the truth to systems of oppression. What draws you to creating antagonists who are in many ways right about the things that they know?

Jack O'Connell, who plays Rimmick, the Irish vampire antagonist, he is relatable kind of in the same way that I'm thinking about Killmonger and Black Panther was relatable. Like in many ways, saying kind of speaking the truth, speaking the truth to systems of oppression. What draws you to creating antagonists who are in many ways right about the things that they know?

Jack O'Connell, who plays Rimmick, the Irish vampire antagonist, he is relatable kind of in the same way that I'm thinking about Killmonger and Black Panther was relatable. Like in many ways, saying kind of speaking the truth, speaking the truth to systems of oppression. What draws you to creating antagonists who are in many ways right about the things that they know?

It's not such a straight line, good guy, bad guy. Each one is complicated.

It's not such a straight line, good guy, bad guy. Each one is complicated.

It's not such a straight line, good guy, bad guy. Each one is complicated.

It is scarier. Yes, say more about that.

It is scarier. Yes, say more about that.

It is scarier. Yes, say more about that.