Tanya Mosley

Yeah.

At the end of the day, he is the help, for lack of a better term.

Thinking about this character, Josh and Beef, he doesn't belong there really, but his way of giving back is through service.

And then there is this fight where we just see another side of him.

So he's charming to all of the people who are part of the club.

But at home, this fight he has with his wife, I mean, we heard a little bit of it in the intro, right?

it gets worse.

Lindsay, his wife, picks up a golf club.

You tell her, thank God we don't have kids, stuff like that.

And so I'm thinking about you pulling from your role as Victor Frankenstein.

In his case, specifically, his cruelty kind of comes from a wound he can't look at directly.

Where does Josh's cruelty live?

I mean, is it someplace different?

Is that a frustration?

You did research.

You spoke with someone who really has that job.

Okay, Oscar, I want to get into Frankenstein for a moment.

And you have called, I've heard you a few times call, del Toro's Frankenstein a Mexican melodrama.

And I have never heard it described that way.

What made it that way?