Tanya Mosley

The scale of her paintings, often made of unconventional materials like glitter, sequins, and yarn, makes them feel larger than life, with the eyes of her subjects gazing directly at us.

Thomas's art made me think about the slew of recent articles in the New York Times, Associated Press, Teen Vogue, and others that delve into the sentiment many Black women felt after the outcome of the presidential race. One headline read, Disillusioned by the election, some Black women are deciding to rest.

Thomas's art made me think about the slew of recent articles in the New York Times, Associated Press, Teen Vogue, and others that delve into the sentiment many Black women felt after the outcome of the presidential race. One headline read, Disillusioned by the election, some Black women are deciding to rest.

Thomas's art made me think about the slew of recent articles in the New York Times, Associated Press, Teen Vogue, and others that delve into the sentiment many Black women felt after the outcome of the presidential race. One headline read, Disillusioned by the election, some Black women are deciding to rest.

Thomas's art showcases Black women not in servitude, as often depicted in fine art, but at leisure, claiming space. She often recasts scenes from the 19th century French paintings, centering Black sensuality and power.

Thomas's art showcases Black women not in servitude, as often depicted in fine art, but at leisure, claiming space. She often recasts scenes from the 19th century French paintings, centering Black sensuality and power.

Thomas's art showcases Black women not in servitude, as often depicted in fine art, but at leisure, claiming space. She often recasts scenes from the 19th century French paintings, centering Black sensuality and power.

And she's also collaborated with singer Solange for an album cover, and she painted the first individual portrait of First Lady Michelle Obama, which was displayed at the National Portrait Gallery. Her latest exhibition, All About Love, is midway through an international tour with stops in Los Angeles, Philadelphia, and France.

And she's also collaborated with singer Solange for an album cover, and she painted the first individual portrait of First Lady Michelle Obama, which was displayed at the National Portrait Gallery. Her latest exhibition, All About Love, is midway through an international tour with stops in Los Angeles, Philadelphia, and France.

And she's also collaborated with singer Solange for an album cover, and she painted the first individual portrait of First Lady Michelle Obama, which was displayed at the National Portrait Gallery. Her latest exhibition, All About Love, is midway through an international tour with stops in Los Angeles, Philadelphia, and France.

It features 50 paintings, collages, and photography spanning over two decades, inspired by the women in her life, including her mother, who died in 2012. Mickalene Thomas, welcome to Fresh Air, and I know you're battling a cold, so I want to thank you for taking the time to talk with us with this raging cold.

It features 50 paintings, collages, and photography spanning over two decades, inspired by the women in her life, including her mother, who died in 2012. Mickalene Thomas, welcome to Fresh Air, and I know you're battling a cold, so I want to thank you for taking the time to talk with us with this raging cold.

It features 50 paintings, collages, and photography spanning over two decades, inspired by the women in her life, including her mother, who died in 2012. Mickalene Thomas, welcome to Fresh Air, and I know you're battling a cold, so I want to thank you for taking the time to talk with us with this raging cold.

I want to talk about this latest conversation that many Black women are having, because as we know, Black women sit at this intersection of race and gender, which for better or worse, actually means that our existence is political. And I'm just wondering, as an artist whose muses are Black women, how would you describe your art and the messages that it's conveying?

I want to talk about this latest conversation that many Black women are having, because as we know, Black women sit at this intersection of race and gender, which for better or worse, actually means that our existence is political. And I'm just wondering, as an artist whose muses are Black women, how would you describe your art and the messages that it's conveying?

I want to talk about this latest conversation that many Black women are having, because as we know, Black women sit at this intersection of race and gender, which for better or worse, actually means that our existence is political. And I'm just wondering, as an artist whose muses are Black women, how would you describe your art and the messages that it's conveying?

You grew up in Camden, New Jersey, about 15 minutes from the Barnes in Philadelphia, where your latest exhibit is showing. And for those who don't know, that museum is really steeped in the classics. It prides itself in showing the world's finest artists. So Matisse and Picasso are shown there.

You grew up in Camden, New Jersey, about 15 minutes from the Barnes in Philadelphia, where your latest exhibit is showing. And for those who don't know, that museum is really steeped in the classics. It prides itself in showing the world's finest artists. So Matisse and Picasso are shown there.

You grew up in Camden, New Jersey, about 15 minutes from the Barnes in Philadelphia, where your latest exhibit is showing. And for those who don't know, that museum is really steeped in the classics. It prides itself in showing the world's finest artists. So Matisse and Picasso are shown there.

Your art has been shown worldwide, but what does it mean for you to have your work shown at a place like the Barnes, just really not too far from where you grew up?