Tanya Mosley
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Appearances Over Time
Podcast Appearances
But what's different about yours, once I reflected on what you're saying, is that – so, for instance, there's a painting of a black woman who's nude and she's leaning back in a chair. Right. People can interpret that as sexual, but it's not sexual.
But what's different about yours, once I reflected on what you're saying, is that – so, for instance, there's a painting of a black woman who's nude and she's leaning back in a chair. Right. People can interpret that as sexual, but it's not sexual.
But what's different about yours, once I reflected on what you're saying, is that – so, for instance, there's a painting of a black woman who's nude and she's leaning back in a chair. Right. People can interpret that as sexual, but it's not sexual.
It's just a body leaning back on a chair. And it's also not performative in the entertainment sense either. It just is.
It's just a body leaning back on a chair. And it's also not performative in the entertainment sense either. It just is.
It's just a body leaning back on a chair. And it's also not performative in the entertainment sense either. It just is.
Because you're right, because many of your subjects are looking right at you, like straight out at you.
Because you're right, because many of your subjects are looking right at you, like straight out at you.
Because you're right, because many of your subjects are looking right at you, like straight out at you.
some of your works, um, they also like directly reference scenes from your own life, but also classic compositions from, from the fine art canon. So there's the, um, your interpretation of the 1862 French painting luncheon in the grass.
some of your works, um, they also like directly reference scenes from your own life, but also classic compositions from, from the fine art canon. So there's the, um, your interpretation of the 1862 French painting luncheon in the grass.
some of your works, um, they also like directly reference scenes from your own life, but also classic compositions from, from the fine art canon. So there's the, um, your interpretation of the 1862 French painting luncheon in the grass.
Yeah. You, you take those paintings and then turn them into black representations. Do you remember how that idea in particular to take on luncheon in the grass came about?
Yeah. You, you take those paintings and then turn them into black representations. Do you remember how that idea in particular to take on luncheon in the grass came about?
Yeah. You, you take those paintings and then turn them into black representations. Do you remember how that idea in particular to take on luncheon in the grass came about?
And how large was this?
And how large was this?