Tig Notaro

No, he has more bits that he used to do. Let's hear him.

No, he has more bits that he used to do. Let's hear him.

No, he has more bits that he used to do. Let's hear him.

You know what blows my mind? It's like when people get up there and they can just... How can you just talk? Like, how do you have so much material that you don't, because I'm used to memorizing a script, right? And so, but there's nothing, and I know you've written it all, but just to like, if somebody says a topic, you can have the perfectly constructed joke about that thing.

You know what blows my mind? It's like when people get up there and they can just... How can you just talk? Like, how do you have so much material that you don't, because I'm used to memorizing a script, right? And so, but there's nothing, and I know you've written it all, but just to like, if somebody says a topic, you can have the perfectly constructed joke about that thing.

You know what blows my mind? It's like when people get up there and they can just... How can you just talk? Like, how do you have so much material that you don't, because I'm used to memorizing a script, right? And so, but there's nothing, and I know you've written it all, but just to like, if somebody says a topic, you can have the perfectly constructed joke about that thing.

And you have it all in the bank of your head.

And you have it all in the bank of your head.

And you have it all in the bank of your head.

But it's not all perfectly constructed. It's that I just try to leave my mind open outside of what I've already written or thought about. And then if something crosses my mind or somebody in the audience says something, I allow myself to go with that.

But it's not all perfectly constructed. It's that I just try to leave my mind open outside of what I've already written or thought about. And then if something crosses my mind or somebody in the audience says something, I allow myself to go with that.

But it's not all perfectly constructed. It's that I just try to leave my mind open outside of what I've already written or thought about. And then if something crosses my mind or somebody in the audience says something, I allow myself to go with that.

Whatever that is, yeah.

Whatever that is, yeah.

Whatever that is, yeah.

Yeah. I got it.

Yeah. I got it.

Yeah. I got it.

And explore and find what's funny about that. And now that you've had all of this tremendous success over the years, do people come up to you all the time and say, and say, hey, I'm such a fan, can you just do, can you say that funny thing? Or like, do they try to prompt you to perform for them?

And explore and find what's funny about that. And now that you've had all of this tremendous success over the years, do people come up to you all the time and say, and say, hey, I'm such a fan, can you just do, can you say that funny thing? Or like, do they try to prompt you to perform for them?