Tina Fey

Yeah, so I went to UVA kind of randomly, and then I went to Chicago, and I started ImprovOlympic first, and class at the Second City, and that's where I met Amy Poehler.

Yeah, so I went to UVA kind of randomly, and then I went to Chicago, and I started ImprovOlympic first, and class at the Second City, and that's where I met Amy Poehler.

Yeah, so I went to UVA kind of randomly, and then I went to Chicago, and I started ImprovOlympic first, and class at the Second City, and that's where I met Amy Poehler.

And a bunch of other people that only Amy Poehler and I know. Yeah. But like Kevin Dorff and Brian Stack and Miriam Toll and all those guys. Dratch, Rachel Dratch.

And a bunch of other people that only Amy Poehler and I know. Yeah. But like Kevin Dorff and Brian Stack and Miriam Toll and all those guys. Dratch, Rachel Dratch.

And a bunch of other people that only Amy Poehler and I know. Yeah. But like Kevin Dorff and Brian Stack and Miriam Toll and all those guys. Dratch, Rachel Dratch.

I mean, it is and it isn't, I guess, because, well, then at the time, there's like the Groundlings, stand-ups, the Groundlings and Second City were the places they looked. Now, you know, the internet has become the great equalizer and you find people on YouTube, you find people on TikTok, presumably.

I mean, it is and it isn't, I guess, because, well, then at the time, there's like the Groundlings, stand-ups, the Groundlings and Second City were the places they looked. Now, you know, the internet has become the great equalizer and you find people on YouTube, you find people on TikTok, presumably.

I mean, it is and it isn't, I guess, because, well, then at the time, there's like the Groundlings, stand-ups, the Groundlings and Second City were the places they looked. Now, you know, the internet has become the great equalizer and you find people on YouTube, you find people on TikTok, presumably.

Yeah, you were a musical director. Well, you didn't run into me because I don't sing. Because you were a musical director out in the burbs, right?

Yeah, you were a musical director. Well, you didn't run into me because I don't sing. Because you were a musical director out in the burbs, right?

Yeah, you were a musical director. Well, you didn't run into me because I don't sing. Because you were a musical director out in the burbs, right?

Glazer, I was Glazer's understudy. I was John Glazer's understudy. Yeah, and then he left to do Dana Carvey, right? Yes, yeah, that's right. And I got to go onto the main stage when he left, yeah.

Glazer, I was Glazer's understudy. I was John Glazer's understudy. Yeah, and then he left to do Dana Carvey, right? Yes, yeah, that's right. And I got to go onto the main stage when he left, yeah.

Glazer, I was Glazer's understudy. I was John Glazer's understudy. Yeah, and then he left to do Dana Carvey, right? Yes, yeah, that's right. And I got to go onto the main stage when he left, yeah.

Exactly. Adam McKay was already head writer at SNL. And he I submitted my writer's packet to him because I had been on stage at Second City and Lorne Michaels and Marcy Klein had come to scout talent and zero interest in me as a performer. So I was like, well, writer's packet it is.

Exactly. Adam McKay was already head writer at SNL. And he I submitted my writer's packet to him because I had been on stage at Second City and Lorne Michaels and Marcy Klein had come to scout talent and zero interest in me as a performer. So I was like, well, writer's packet it is.

Exactly. Adam McKay was already head writer at SNL. And he I submitted my writer's packet to him because I had been on stage at Second City and Lorne Michaels and Marcy Klein had come to scout talent and zero interest in me as a performer. So I was like, well, writer's packet it is.

He's an Oscar winner now, guys.

He's an Oscar winner now, guys.