Tom Hanks

All you can do is go there no matter what. Because guess what? You don't know where you're stepping. It's a minefield, Conan. It's a fucking minefield.

Nora, yeah. Worked with her three times.

Nora, yeah. Worked with her three times.

Nora, yeah. Worked with her three times.

The first three days are three days of terror because it's a combination of everybody else who is there. And also just on the third day, you realize no matter what the movie is, you realize I should have said no. There just should have been something wrong with it. I don't know. Because here we are. Here we are. The intimidate. I will look. I've done this long enough.

The first three days are three days of terror because it's a combination of everybody else who is there. And also just on the third day, you realize no matter what the movie is, you realize I should have said no. There just should have been something wrong with it. I don't know. Because here we are. Here we are. The intimidate. I will look. I've done this long enough.

The first three days are three days of terror because it's a combination of everybody else who is there. And also just on the third day, you realize no matter what the movie is, you realize I should have said no. There just should have been something wrong with it. I don't know. Because here we are. Here we are. The intimidate. I will look. I've done this long enough.

So I now am aware that I intimidate other people, you know, because, you know, because you show up and then somebody said, OK, I'll tell you this story. OK, here's a show business story. We are shooting perhaps the most scary, intense, truly scary, intense, real life scene in Captain Phillips.

So I now am aware that I intimidate other people, you know, because, you know, because you show up and then somebody said, OK, I'll tell you this story. OK, here's a show business story. We are shooting perhaps the most scary, intense, truly scary, intense, real life scene in Captain Phillips.

So I now am aware that I intimidate other people, you know, because, you know, because you show up and then somebody said, OK, I'll tell you this story. OK, here's a show business story. We are shooting perhaps the most scary, intense, truly scary, intense, real life scene in Captain Phillips.

We are, honestly, we're overweight, old, middle-aged guys who are going to be taken over by these pirates. And we have never met the guys who play the pirates. We don't know who they are. All we know is that they are coming because the way Paul Greengrass shot that, he had cameras on us and cameras on the four guys, Barkov and Abdul and Big B, Little B, all the guys. And we have never met them.

We are, honestly, we're overweight, old, middle-aged guys who are going to be taken over by these pirates. And we have never met the guys who play the pirates. We don't know who they are. All we know is that they are coming because the way Paul Greengrass shot that, he had cameras on us and cameras on the four guys, Barkov and Abdul and Big B, Little B, all the guys. And we have never met them.

We are, honestly, we're overweight, old, middle-aged guys who are going to be taken over by these pirates. And we have never met the guys who play the pirates. We don't know who they are. All we know is that they are coming because the way Paul Greengrass shot that, he had cameras on us and cameras on the four guys, Barkov and Abdul and Big B, Little B, all the guys. And we have never met them.

And they are firing automatic blanks, you know, machine guns. We hear all this stuff that's going on. And we don't see anything until the camera outside the bridge of the Maersk, Alabama. We see the camera backing up with the guys pulling the cable. And then four of the scariest human beings I have ever met come in, and they are screaming at us. They are slapping us. They are hitting us.

And they are firing automatic blanks, you know, machine guns. We hear all this stuff that's going on. And we don't see anything until the camera outside the bridge of the Maersk, Alabama. We see the camera backing up with the guys pulling the cable. And then four of the scariest human beings I have ever met come in, and they are screaming at us. They are slapping us. They are hitting us.

And they are firing automatic blanks, you know, machine guns. We hear all this stuff that's going on. And we don't see anything until the camera outside the bridge of the Maersk, Alabama. We see the camera backing up with the guys pulling the cable. And then four of the scariest human beings I have ever met come in, and they are screaming at us. They are slapping us. They are hitting us.

They are pushing it down. And they're holding— They're real guns. You know, they're holding them in our faces, screaming at us. And it was honestly, we are all bug eyed with some form of terror, even though we know it's a movie that is removed because guess what? We all went there. All right. So we're all there.

They are pushing it down. And they're holding— They're real guns. You know, they're holding them in our faces, screaming at us. And it was honestly, we are all bug eyed with some form of terror, even though we know it's a movie that is removed because guess what? We all went there. All right. So we're all there.

They are pushing it down. And they're holding— They're real guns. You know, they're holding them in our faces, screaming at us. And it was honestly, we are all bug eyed with some form of terror, even though we know it's a movie that is removed because guess what? We all went there. All right. So we're all there.

This initial scene went on for about 20 minutes because Paul does this thing where he has a secondary and third cameras that don't start shooting until later on. So film is always rolling. And then one camera will go quickly reload and then join back in the scene. So this is this is going to stay in that space. We are right there because the camera's on us and it's working.