Tom Hanks

This initial scene went on for about 20 minutes because Paul does this thing where he has a secondary and third cameras that don't start shooting until later on. So film is always rolling. And then one camera will go quickly reload and then join back in the scene. So this is this is going to stay in that space. We are right there because the camera's on us and it's working.

This initial scene went on for about 20 minutes because Paul does this thing where he has a secondary and third cameras that don't start shooting until later on. So film is always rolling. And then one camera will go quickly reload and then join back in the scene. So this is this is going to stay in that space. We are right there because the camera's on us and it's working.

So four of the skinniest, scariest looking guys, their eyes were all bloodshot. They all had this teeth. They were all built like wires. They had muscles like rope. They're dressed in rags and they're holding AK-47s on us and they're screaming at us. And it went on and on and on and on and on and on and on and on. Relatively unrehearsed. When it was finally done, Paul says, all right, all right.

So four of the skinniest, scariest looking guys, their eyes were all bloodshot. They all had this teeth. They were all built like wires. They had muscles like rope. They're dressed in rags and they're holding AK-47s on us and they're screaming at us. And it went on and on and on and on and on and on and on and on. Relatively unrehearsed. When it was finally done, Paul says, all right, all right.

So four of the skinniest, scariest looking guys, their eyes were all bloodshot. They all had this teeth. They were all built like wires. They had muscles like rope. They're dressed in rags and they're holding AK-47s on us and they're screaming at us. And it went on and on and on and on and on and on and on and on. Relatively unrehearsed. When it was finally done, Paul says, all right, all right.

Okay. All right. All right. That went well. That went well. Why don't we... I like this. And we said, if we can, what I'd like to do is just take it back and come back in. I said, okay, yeah, all right. Okay, good. And then one of the actors, Mahat was his name. Mahat says, I can't believe I'm working with Forrest Gump.

Okay. All right. All right. That went well. That went well. Why don't we... I like this. And we said, if we can, what I'd like to do is just take it back and come back in. I said, okay, yeah, all right. Okay, good. And then one of the actors, Mahat was his name. Mahat says, I can't believe I'm working with Forrest Gump.

Okay. All right. All right. That went well. That went well. Why don't we... I like this. And we said, if we can, what I'd like to do is just take it back and come back in. I said, okay, yeah, all right. Okay, good. And then one of the actors, Mahat was his name. Mahat says, I can't believe I'm working with Forrest Gump.

So a countenance, right, comes along with the whole bit. And, you know, once we got that done, we were just guys making a movie. It was fantastic. But that's an example of, you know, there was a moment where you have to do all this suspension of the reality of, you know, what it is. And all you can do is go there.

So a countenance, right, comes along with the whole bit. And, you know, once we got that done, we were just guys making a movie. It was fantastic. But that's an example of, you know, there was a moment where you have to do all this suspension of the reality of, you know, what it is. And all you can do is go there.

So a countenance, right, comes along with the whole bit. And, you know, once we got that done, we were just guys making a movie. It was fantastic. But that's an example of, you know, there was a moment where you have to do all this suspension of the reality of, you know, what it is. And all you can do is go there.

This is why so many of us go stark raving nuts. Yeah. Because that surrealistic divide between why you are there and what are you creating begins... It's too malleable after a while. And yet it starts... And it finishes within the wink of an eye. You know, it's that type of thing where the massacre is over and cut.

This is why so many of us go stark raving nuts. Yeah. Because that surrealistic divide between why you are there and what are you creating begins... It's too malleable after a while. And yet it starts... And it finishes within the wink of an eye. You know, it's that type of thing where the massacre is over and cut.

This is why so many of us go stark raving nuts. Yeah. Because that surrealistic divide between why you are there and what are you creating begins... It's too malleable after a while. And yet it starts... And it finishes within the wink of an eye. You know, it's that type of thing where the massacre is over and cut.

And all the dead guys start getting up and moving around, you know, and you move on and you get the other shot. I wish we could just keep it all secret, like the Coca-Cola formula. I wish we didn't have to. But I don't watch movies that I'm in because they haven't changed since I saw them. So I know how they end.

And all the dead guys start getting up and moving around, you know, and you move on and you get the other shot. I wish we could just keep it all secret, like the Coca-Cola formula. I wish we didn't have to. But I don't watch movies that I'm in because they haven't changed since I saw them. So I know how they end.

And all the dead guys start getting up and moving around, you know, and you move on and you get the other shot. I wish we could just keep it all secret, like the Coca-Cola formula. I wish we didn't have to. But I don't watch movies that I'm in because they haven't changed since I saw them. So I know how they end.

But every now and again, like you're blowing through the grid or something like that, and a minute comes on or a scene comes on. And what I remember is what happened just before we shot that scene. That's all I can recall. I look at it. I don't remember doing the scene per se, but I said, oh, it was cloudy that day. And, you know, I dropped a script in a mud puddle. And then I had some flan. Yeah.

But every now and again, like you're blowing through the grid or something like that, and a minute comes on or a scene comes on. And what I remember is what happened just before we shot that scene. That's all I can recall. I look at it. I don't remember doing the scene per se, but I said, oh, it was cloudy that day. And, you know, I dropped a script in a mud puddle. And then I had some flan. Yeah.

But every now and again, like you're blowing through the grid or something like that, and a minute comes on or a scene comes on. And what I remember is what happened just before we shot that scene. That's all I can recall. I look at it. I don't remember doing the scene per se, but I said, oh, it was cloudy that day. And, you know, I dropped a script in a mud puddle. And then I had some flan. Yeah.