Una McKevitt

Wow.

I mean, so that's the thing.

It's a 500 seater, I think, the auditorium.

And we were only allowed at 50 people per performance.

And then they filmed it for...

So as a first play in the Abbey, it was an unusual experience.

And it was a leap of faith.

And I'm proud of the play, but like I said, it hadn't gone through the drilling that plays kind of need.

So it absolutely worked as a piece of theatre.

But looking back on it, there are aspects of it I would have liked to have dug into deeper.

Um, but I'm not like, doesn't keep me up at night or anything like that.

Like it is still, um, yeah, it was a nice, it was, it was just great training to be inside.

The Abbey is, um, a creative place, but it is also an institution.

Absolutely.

So having that experience was, has benefited me so much this time because I'm not working everything out for the first time.

I had some context going in, you know, the parts, um,

think i just see the family as like speaking of institution as an institution to a degree like there's um like domestic structure um in the way and i like domestic terrorism as well and i just think that families are this huge part of our lives that maybe yeah we i mean of course we talk about them there's sitcoms for that reason and all of these things

But I am sort of interested in how different generations come at the same problems, but with really different cultural conditioning.

Yeah.

And how that kind of clashes.