Vicky Osterweil

Yeah, it really came together around the Corvid theme, I think. Yeah. The combination of enjoying shiny things, extreme intelligence, and never-ending spite, I think, are all sort of motivating factors for all of us.

Yeah, it really came together around the Corvid theme, I think. Yeah. The combination of enjoying shiny things, extreme intelligence, and never-ending spite, I think, are all sort of motivating factors for all of us.

Yeah, it really came together around the Corvid theme, I think. Yeah. The combination of enjoying shiny things, extreme intelligence, and never-ending spite, I think, are all sort of motivating factors for all of us.

Yes. Mm-hmm.

Yes. Mm-hmm.

Yes. Mm-hmm.

Yeah, I'm happy to take a spin at that. This is Vicky, by the way. Yeah, so KA is sort of like, I mean, it's an anarchist journal of arts and culture that is a collective of anarchist writers. It's also a Corvid Appreciation Working Group. There's a lot of different acronyms for it. And What we are doing is we are bringing all four, at first, just all four of our efforts together.

Yeah, I'm happy to take a spin at that. This is Vicky, by the way. Yeah, so KA is sort of like, I mean, it's an anarchist journal of arts and culture that is a collective of anarchist writers. It's also a Corvid Appreciation Working Group. There's a lot of different acronyms for it. And What we are doing is we are bringing all four, at first, just all four of our efforts together.

Yeah, I'm happy to take a spin at that. This is Vicky, by the way. Yeah, so KA is sort of like, I mean, it's an anarchist journal of arts and culture that is a collective of anarchist writers. It's also a Corvid Appreciation Working Group. There's a lot of different acronyms for it. And What we are doing is we are bringing all four, at first, just all four of our efforts together.

So a lot of us work on separate podcasts. We have pedagogical tasks. We have many activist projects that center around culture. You know, I have a newsletter. Shuley has a Patreon. Carla has a newsletter. Danny also has an email list. There's all these different projects and projects.

So a lot of us work on separate podcasts. We have pedagogical tasks. We have many activist projects that center around culture. You know, I have a newsletter. Shuley has a Patreon. Carla has a newsletter. Danny also has an email list. There's all these different projects and projects.

So a lot of us work on separate podcasts. We have pedagogical tasks. We have many activist projects that center around culture. You know, I have a newsletter. Shuley has a Patreon. Carla has a newsletter. Danny also has an email list. There's all these different projects and projects.

We realized that, like, for all of our talk about mutual aid and working collectively, when it comes to writing and creativity, the market has been so fractured and so alienated and so turned into, like, everyone has an individual newsletter that they're competing with one another, you know. even though they don't want to be like they want to be.

We realized that, like, for all of our talk about mutual aid and working collectively, when it comes to writing and creativity, the market has been so fractured and so alienated and so turned into, like, everyone has an individual newsletter that they're competing with one another, you know. even though they don't want to be like they want to be.

We realized that, like, for all of our talk about mutual aid and working collectively, when it comes to writing and creativity, the market has been so fractured and so alienated and so turned into, like, everyone has an individual newsletter that they're competing with one another, you know. even though they don't want to be like they want to be.

But that's sort of ultimately what's happening is that there's limited customers. And there's also this other trend going on right now of this really exciting kind of worker-owned journals, a lot of them local journalism. There's some in New York and Chicago, and there's one in Asheville and all over the country, as well as like on special topics.

But that's sort of ultimately what's happening is that there's limited customers. And there's also this other trend going on right now of this really exciting kind of worker-owned journals, a lot of them local journalism. There's some in New York and Chicago, and there's one in Asheville and all over the country, as well as like on special topics.

But that's sort of ultimately what's happening is that there's limited customers. And there's also this other trend going on right now of this really exciting kind of worker-owned journals, a lot of them local journalism. There's some in New York and Chicago, and there's one in Asheville and all over the country, as well as like on special topics.

So like Aftermath, which like does, I think the video games and there's 404 Media who does tech. There's just like all these different sort of sites doing this sort of thing. And I think in some ways, all of us are sort of collectively reinventing the newspapers that have been sort of stolen and destroyed by capital, you know, in a big way. Yeah. So there's sort of two goals that we have.

So like Aftermath, which like does, I think the video games and there's 404 Media who does tech. There's just like all these different sort of sites doing this sort of thing. And I think in some ways, all of us are sort of collectively reinventing the newspapers that have been sort of stolen and destroyed by capital, you know, in a big way. Yeah. So there's sort of two goals that we have.