William Bundy

And I'm very much drawn to kind of original

or, you know, as original as they can be, concepts that might take a different path than you might ordinarily expect.

Because one of the stories I'd written, which is a vampire story that I wrote quite a few years ago now,

called In the Skin.

A friend, I sent it to her to read, and she said to me that she didn't expect the way the, she didn't expect it to, the ending to sort of come about the way it did.

And she said she's usually pretty good at kind of seeing where it's going to go, but there seemed to be an interesting twist to it that she wasn't expecting.

So I seem to be, if it's unusual, I tend to be drawn to it.

and the short films I've done, you know, as well.

I was on my, yeah, I ride a bicycle.

Yes.

Yeah, I'm very much drawn to that type of thing, actually, and the type of films that I watch as well.

And just in terms of the story, there's a lot of, yeah, the atmospheric stuff really seemed to draw me.

And sometimes I've written stories before where I really, yeah, I wrote one story which is about one guy's day in his life as he sort of reached 100 years old.

I wanted to do it as like a meditation and what it is to sort of age and what it would be like to be at that age.

And I sort of went into the descriptions of his environment.

I really wanted to make it about the texture of the life he was living, not just about the plot or anything.

It was literally just about how he's feeling at any given moment, knowing that he's now 100 years old.

And it's just that kind of textural, atmospheric stuff that I sometimes really like to dig into that stuff.

Yeah, I did listen to your version of it on the channel and it was interesting to sort of see the, I could see where the comparison could be made.

Yeah, it's obviously, there's a lot of emphasis on the, I did like the introduction of the vampire a great deal.