William Bundy

it's only now a bit later on in life that I've really begun to learn to articulate myself more.

So when I was younger, I was very, very quiet.

I was very, very kind of, I didn't really say much.

I was always the quiet person.

And then as I've gotten older, I've learned how to sort of articulate myself much better and not kind of, I've really learned how to sort of convey myself much more in conversation.

So there could be a resonance there psychologically in terms of, because I do sometimes have problems as well with,

with certain situations kind of deciding myself verbally in certain ways so there could be a kind of reflection of that in that particular character but that's not really that's just me sort of riffing on what could be

being projected for myself into that.

But I hadn't really seen it until you mentioned it.

I hadn't really thought about that all that much.

So it's an interesting thing to ponder, I suppose.

Yeah.

It's just that whole idea again of just the, the shape shifter aspect to it.

Because when I was writing the story initially, I thought, well, um, I've, you know, I've, I've seen vampires before.

I've read them for my own sort of, it would be interesting to just do a little riff on that where instead of it being just your traditional vampire, where they're just,

buying somebody and then sucking the blood and then make, you know, whatever they're going to do.

Wouldn't it be interesting instead for them to just be a shapeshifter who's doing this instead?

It's kind of like, that was my, my kind of aim with it was to kind of add a little twist in there.

It's a shapeshifter instead of it being just a vampire, but the whole, the whole idea of the, the identity shift as well is it seems to be something that comes through in my work a lot.

Actually, the other stuff I've done, there are kind of notions of,