Zoe Saldaña

And I picked it up after so many years.

Also, always figuring out whether or not he was hustling me. Because they're like, Italians are hustlers. Wait, wait, wait. It speaks flow. What is that? Right, right. No, but it was great. But Jacques is known for, you know, working outside of his language. This is not the first foreign film that he's done. He did a film called Deepan, which was with these Indian actors.

Also, always figuring out whether or not he was hustling me. Because they're like, Italians are hustlers. Wait, wait, wait. It speaks flow. What is that? Right, right. No, but it was great. But Jacques is known for, you know, working outside of his language. This is not the first foreign film that he's done. He did a film called Deepan, which was with these Indian actors.

Also, always figuring out whether or not he was hustling me. Because they're like, Italians are hustlers. Wait, wait, wait. It speaks flow. What is that? Right, right. No, but it was great. But Jacques is known for, you know, working outside of his language. This is not the first foreign film that he's done. He did a film called Deepan, which was with these Indian actors.

And then he did a film years before called A Prophet. And that had some Arabic as well. He's not defied by language. He likes to kind of connect with human beings, you know, and challenge himself. And, you know, when it comes to whether or not they speak the same tongue, he just likes to find ways to communicate with people and connect with people.

And then he did a film years before called A Prophet. And that had some Arabic as well. He's not defied by language. He likes to kind of connect with human beings, you know, and challenge himself. And, you know, when it comes to whether or not they speak the same tongue, he just likes to find ways to communicate with people and connect with people.

And then he did a film years before called A Prophet. And that had some Arabic as well. He's not defied by language. He likes to kind of connect with human beings, you know, and challenge himself. And, you know, when it comes to whether or not they speak the same tongue, he just likes to find ways to communicate with people and connect with people.

Maybe, but here's the thing. I think as somebody that speaks – you know, different languages, but also understanding that English is a very distinct, you know, language. I feel like that exists mainly in English rather than like the romantic languages. It's more of a... It's more of a feeling than the words. I was going to say. It's hard to explain.

Maybe, but here's the thing. I think as somebody that speaks – you know, different languages, but also understanding that English is a very distinct, you know, language. I feel like that exists mainly in English rather than like the romantic languages. It's more of a... It's more of a feeling than the words. I was going to say. It's hard to explain.

Maybe, but here's the thing. I think as somebody that speaks – you know, different languages, but also understanding that English is a very distinct, you know, language. I feel like that exists mainly in English rather than like the romantic languages. It's more of a... It's more of a feeling than the words. I was going to say. It's hard to explain.

I don't know. It's side dish.

I don't know. It's side dish.

I don't know. It's side dish.

We shot it summer of 2023. Okay. Oh, wow. From April to like July, and we wrapped right before the strike, like a couple of days before the strike.

We shot it summer of 2023. Okay. Oh, wow. From April to like July, and we wrapped right before the strike, like a couple of days before the strike.

We shot it summer of 2023. Okay. Oh, wow. From April to like July, and we wrapped right before the strike, like a couple of days before the strike.

You know, it dabbles in so many different genres and it doesn't stay in one place. And I feel like that, that just feels fresh. Yeah, yeah, yeah. We all signed up to work with Jacques Audiard. I've been a fan of his work since I was a teenager. And he was, you know, one of those like top three directors in my bucket list that I thought would never happen. Right.

You know, it dabbles in so many different genres and it doesn't stay in one place. And I feel like that, that just feels fresh. Yeah, yeah, yeah. We all signed up to work with Jacques Audiard. I've been a fan of his work since I was a teenager. And he was, you know, one of those like top three directors in my bucket list that I thought would never happen. Right.

You know, it dabbles in so many different genres and it doesn't stay in one place. And I feel like that, that just feels fresh. Yeah, yeah, yeah. We all signed up to work with Jacques Audiard. I've been a fan of his work since I was a teenager. And he was, you know, one of those like top three directors in my bucket list that I thought would never happen. Right.

When this opportunity came, it's like a niche of a niche movie. It's in Spanish. It's a musical. It centers around four women. The main character goes through a major transition, you know, trying to find herself. And everything about this felt dangerous and super risky, so it was totally aligned with