Zoe Saldaña

When this opportunity came, it's like a niche of a niche movie. It's in Spanish. It's a musical. It centers around four women. The main character goes through a major transition, you know, trying to find herself. And everything about this felt dangerous and super risky, so it was totally aligned with

When this opportunity came, it's like a niche of a niche movie. It's in Spanish. It's a musical. It centers around four women. The main character goes through a major transition, you know, trying to find herself. And everything about this felt dangerous and super risky, so it was totally aligned with

with what I want to do, with who I feel like I am, you know, and I want to reconnect with that part of me as an artist, I didn't think that it was going to be seen by many, many people. I just thought I was going to scratch something out of my bucket list and feel so happy that I collaborated with an amazing filmmaker. Gan was a surprise for us.

with what I want to do, with who I feel like I am, you know, and I want to reconnect with that part of me as an artist, I didn't think that it was going to be seen by many, many people. I just thought I was going to scratch something out of my bucket list and feel so happy that I collaborated with an amazing filmmaker. Gan was a surprise for us.

with what I want to do, with who I feel like I am, you know, and I want to reconnect with that part of me as an artist, I didn't think that it was going to be seen by many, many people. I just thought I was going to scratch something out of my bucket list and feel so happy that I collaborated with an amazing filmmaker. Gan was a surprise for us.

Yeah.

Yeah.

Yeah.

Yeah. Well, I mean, and he is, you know, he's a fan favorite. They're very proud of their own, you know. So Cannes was a wonderful festival to premiere Emilia. But I think it's the movie. I think this movie feels really important and it's audacious and it's provocative and it's a bit campy and melodramatic. And those are things that I think audiences are wanting to have a little bit more of.

Yeah. Well, I mean, and he is, you know, he's a fan favorite. They're very proud of their own, you know. So Cannes was a wonderful festival to premiere Emilia. But I think it's the movie. I think this movie feels really important and it's audacious and it's provocative and it's a bit campy and melodramatic. And those are things that I think audiences are wanting to have a little bit more of.

Yeah. Well, I mean, and he is, you know, he's a fan favorite. They're very proud of their own, you know. So Cannes was a wonderful festival to premiere Emilia. But I think it's the movie. I think this movie feels really important and it's audacious and it's provocative and it's a bit campy and melodramatic. And those are things that I think audiences are wanting to have a little bit more of.

Sometimes films can be so linear and that makes them a little... I don't know, cold, sterile, you know, stories sometimes can get really sterile when you try to do everything right.

Sometimes films can be so linear and that makes them a little... I don't know, cold, sterile, you know, stories sometimes can get really sterile when you try to do everything right.

Sometimes films can be so linear and that makes them a little... I don't know, cold, sterile, you know, stories sometimes can get really sterile when you try to do everything right.

What if you throw everything away and you sort of go off script and you fall and you collaborate with your artists as opposed to sort of kind of being super stuck with a vision and this is the vision and this is the vision. Jacques sort of like... is very much a traditional director, but he's also a person that is yearning to connect with people, you know, through cinema.

What if you throw everything away and you sort of go off script and you fall and you collaborate with your artists as opposed to sort of kind of being super stuck with a vision and this is the vision and this is the vision. Jacques sort of like... is very much a traditional director, but he's also a person that is yearning to connect with people, you know, through cinema.

What if you throw everything away and you sort of go off script and you fall and you collaborate with your artists as opposed to sort of kind of being super stuck with a vision and this is the vision and this is the vision. Jacques sort of like... is very much a traditional director, but he's also a person that is yearning to connect with people, you know, through cinema.

Otherwise, he would be locked up in his room, like, just reading. He's an avid reader, he's an intellectual mind, and he's a bit shy in social gathering. So cinema and storytelling is the way that he kind of connects with the world. And the way that he allows his artists and also every department to add to the story, it just felt like an experiment.

Otherwise, he would be locked up in his room, like, just reading. He's an avid reader, he's an intellectual mind, and he's a bit shy in social gathering. So cinema and storytelling is the way that he kind of connects with the world. And the way that he allows his artists and also every department to add to the story, it just felt like an experiment.

Otherwise, he would be locked up in his room, like, just reading. He's an avid reader, he's an intellectual mind, and he's a bit shy in social gathering. So cinema and storytelling is the way that he kind of connects with the world. And the way that he allows his artists and also every department to add to the story, it just felt like an experiment.