Zoe Saldaña

It was, it was. And that's when I knew, I'm like, one, I didn't want to do commercials. I knew then. And I was like, I just want to act. I want to play characters. I want to tell stories. I want to be other people.

It was, it was. And that's when I knew, I'm like, one, I didn't want to do commercials. I knew then. And I was like, I just want to act. I want to play characters. I want to tell stories. I want to be other people.

It was, it was. And that's when I knew, I'm like, one, I didn't want to do commercials. I knew then. And I was like, I just want to act. I want to play characters. I want to tell stories. I want to be other people.

Today. I know that these records will always be. But that's astonishing.

Today. I know that these records will always be. But that's astonishing.

Today. I know that these records will always be. But that's astonishing.

I like everything. I think, you know, that I'm going to answer the way you were expecting. But, you know... Avatar was really special in the sense that the way that we shoot it, I wish people can understand that the technology does not substitute the performances, it only supplements the performances. Totally.

I like everything. I think, you know, that I'm going to answer the way you were expecting. But, you know... Avatar was really special in the sense that the way that we shoot it, I wish people can understand that the technology does not substitute the performances, it only supplements the performances. Totally.

I like everything. I think, you know, that I'm going to answer the way you were expecting. But, you know... Avatar was really special in the sense that the way that we shoot it, I wish people can understand that the technology does not substitute the performances, it only supplements the performances. Totally.

And we go through months of training because it is, it's basically Jim paints, you know, those pixelated, you know, things.

And we go through months of training because it is, it's basically Jim paints, you know, those pixelated, you know, things.

And we go through months of training because it is, it's basically Jim paints, you know, those pixelated, you know, things.

over what we do. So he's, it's not that we sit in a studio and we record like an animation. It's like all the work that you do is the work that you see, you know, on Avatar. And that form of acting is incredibly just exciting.

over what we do. So he's, it's not that we sit in a studio and we record like an animation. It's like all the work that you do is the work that you see, you know, on Avatar. And that form of acting is incredibly just exciting.

over what we do. So he's, it's not that we sit in a studio and we record like an animation. It's like all the work that you do is the work that you see, you know, on Avatar. And that form of acting is incredibly just exciting.

Yes. Okay. But it's not an animator that is guessing, right? You know, or estimating how you're moving. No, no, it is your performance because it's, they have these reference cameras.

Yes. Okay. But it's not an animator that is guessing, right? You know, or estimating how you're moving. No, no, it is your performance because it's, they have these reference cameras.

Yes. Okay. But it's not an animator that is guessing, right? You know, or estimating how you're moving. No, no, it is your performance because it's, they have these reference cameras.

But they, but Jim has also created this like, you know, this, this, this gimbal of a camera.

But they, but Jim has also created this like, you know, this, this, this gimbal of a camera.