Zoe Saldaña

But they, but Jim has also created this like, you know, this, this, this gimbal of a camera.

that is in Pandora. So when you're moving, there are all these big screens. Let me know if I lose you. When we're shooting, we're shooting in a set that we call the volume. And the reason why it's the volume is because all these cameras that are attached in the ceiling of our set are pointing all through this sort of square, this space that's called the volume.

that is in Pandora. So when you're moving, there are all these big screens. Let me know if I lose you. When we're shooting, we're shooting in a set that we call the volume. And the reason why it's the volume is because all these cameras that are attached in the ceiling of our set are pointing all through this sort of square, this space that's called the volume.

that is in Pandora. So when you're moving, there are all these big screens. Let me know if I lose you. When we're shooting, we're shooting in a set that we call the volume. And the reason why it's the volume is because all these cameras that are attached in the ceiling of our set are pointing all through this sort of square, this space that's called the volume.

So once you're in and you have all these dots and you have to, you ROM yourself in, so they enter you into the system.

So once you're in and you have all these dots and you have to, you ROM yourself in, so they enter you into the system.

So once you're in and you have all these dots and you have to, you ROM yourself in, so they enter you into the system.

And you're wearing this helmet that has these cameras here that are also then registering every single muscle on your face. So they sync all of that information. And you then, once you enter the volume, you're in Pandora on real time. So you and I can be talking, standing in the volume.

And you're wearing this helmet that has these cameras here that are also then registering every single muscle on your face. So they sync all of that information. And you then, once you enter the volume, you're in Pandora on real time. So you and I can be talking, standing in the volume.

And you're wearing this helmet that has these cameras here that are also then registering every single muscle on your face. So they sync all of that information. And you then, once you enter the volume, you're in Pandora on real time. So you and I can be talking, standing in the volume.

And if we stare at the screens that he has all through the volume facing us, we're seeing ourselves as avatars in Pandora. where we're standing. So what he does is he documents everything. And his technicians, he works with people from Weta in New Zealand, and he has people from all over the world, but they're mainly here in Los Angeles.

And if we stare at the screens that he has all through the volume facing us, we're seeing ourselves as avatars in Pandora. where we're standing. So what he does is he documents everything. And his technicians, he works with people from Weta in New Zealand, and he has people from all over the world, but they're mainly here in Los Angeles.

And if we stare at the screens that he has all through the volume facing us, we're seeing ourselves as avatars in Pandora. where we're standing. So what he does is he documents everything. And his technicians, he works with people from Weta in New Zealand, and he has people from all over the world, but they're mainly here in Los Angeles.

And in New Zealand, they're just basically painting over what we're doing because it's already in the system. Does that make sense?

And in New Zealand, they're just basically painting over what we're doing because it's already in the system. Does that make sense?

And in New Zealand, they're just basically painting over what we're doing because it's already in the system. Does that make sense?

Like a green screen. Right.

Like a green screen. Right.

Like a green screen. Right.

I think so. You kind of blew my mind there. I was like, oh my God, he's really taking it there. Yes, yes. If what you're saying is what I'm understanding, then yes.