Zoe Saldaña

I think so. You kind of blew my mind there. I was like, oh my God, he's really taking it there. Yes, yes. If what you're saying is what I'm understanding, then yes.

I think so. You kind of blew my mind there. I was like, oh my God, he's really taking it there. Yes, yes. If what you're saying is what I'm understanding, then yes.

Yes. Well, Jim has always said that putting a human being with an animation always felt...

Yes. Well, Jim has always said that putting a human being with an animation always felt...

Yes. Well, Jim has always said that putting a human being with an animation always felt...

Unreal. It looks different. It's like Who Framed Roger Rabbit. Remember how Zemeckis, it's Zemeckis, right? Yeah. George Lucas. Is it Zemeckis or Lucas that did Roger Rabbit?

Unreal. It looks different. It's like Who Framed Roger Rabbit. Remember how Zemeckis, it's Zemeckis, right? Yeah. George Lucas. Is it Zemeckis or Lucas that did Roger Rabbit?

Unreal. It looks different. It's like Who Framed Roger Rabbit. Remember how Zemeckis, it's Zemeckis, right? Yeah. George Lucas. Is it Zemeckis or Lucas that did Roger Rabbit?

Robert Zemeckis. Thank you. So these filmmakers have always been ahead of their time and they've always tried to sort of invent the technology that is able then to allow them to capture their vision. Jim is that same. I call them kind of scientists. Because they're inventing things that will later on down the line just evolve the way that we make films and the way that we view films, right?

Robert Zemeckis. Thank you. So these filmmakers have always been ahead of their time and they've always tried to sort of invent the technology that is able then to allow them to capture their vision. Jim is that same. I call them kind of scientists. Because they're inventing things that will later on down the line just evolve the way that we make films and the way that we view films, right?

Robert Zemeckis. Thank you. So these filmmakers have always been ahead of their time and they've always tried to sort of invent the technology that is able then to allow them to capture their vision. Jim is that same. I call them kind of scientists. Because they're inventing things that will later on down the line just evolve the way that we make films and the way that we view films, right?

So for Jim, the challenge was to make a human being and an alien, an animated alien, look as if they were in the same medium. Yes. So that was his goal. And he achieved it with Avatar.

So for Jim, the challenge was to make a human being and an alien, an animated alien, look as if they were in the same medium. Yes. So that was his goal. And he achieved it with Avatar.

So for Jim, the challenge was to make a human being and an alien, an animated alien, look as if they were in the same medium. Yes. So that was his goal. And he achieved it with Avatar.

And yes, we finished three. So now they're just, you know, they have a year now to basically render all of the information that we shot, everything that we shot.

And yes, we finished three. So now they're just, you know, they have a year now to basically render all of the information that we shot, everything that we shot.

And yes, we finished three. So now they're just, you know, they have a year now to basically render all of the information that we shot, everything that we shot.

Well, I only play a Na'vi. I'm not an avatar. So ours is the shortest sort of shoot, and it takes anywhere between five to seven months to shoot. Wow. And then after that, then they go to New Zealand, and they spend a year there sometimes shooting live action, and they'll do the green screen, and then they'll assemble the whole thing in the same medium. Incredible. And that takes a lot of time.

Well, I only play a Na'vi. I'm not an avatar. So ours is the shortest sort of shoot, and it takes anywhere between five to seven months to shoot. Wow. And then after that, then they go to New Zealand, and they spend a year there sometimes shooting live action, and they'll do the green screen, and then they'll assemble the whole thing in the same medium. Incredible. And that takes a lot of time.

Well, I only play a Na'vi. I'm not an avatar. So ours is the shortest sort of shoot, and it takes anywhere between five to seven months to shoot. Wow. And then after that, then they go to New Zealand, and they spend a year there sometimes shooting live action, and they'll do the green screen, and then they'll assemble the whole thing in the same medium. Incredible. And that takes a lot of time.