Zoltan Bathory

So that's the most important question. And so while I was having clashes with certain scientific ideas, I was also barreling down this path of yoga and mental sciences and trying to figure this out. And in the same time, I was playing music, which is, you know, I was very interested in music. And again, as somebody who is scientifically oriented,

So that's the most important question. And so while I was having clashes with certain scientific ideas, I was also barreling down this path of yoga and mental sciences and trying to figure this out. And in the same time, I was playing music, which is, you know, I was very interested in music. And again, as somebody who is scientifically oriented,

I started to understand like, wait a minute, music, everything is a vibration. And as a musician, I'm playing with the source code. Basically, I am playing with harmonies, melodies and a correlation. And if you think about the whole entire universe is basically semantic patterns. Right.

I started to understand like, wait a minute, music, everything is a vibration. And as a musician, I'm playing with the source code. Basically, I am playing with harmonies, melodies and a correlation. And if you think about the whole entire universe is basically semantic patterns. Right.

I started to understand like, wait a minute, music, everything is a vibration. And as a musician, I'm playing with the source code. Basically, I am playing with harmonies, melodies and a correlation. And if you think about the whole entire universe is basically semantic patterns. Right.

And so I kind of understood that age that, OK, so as a musician, right, I am playing with the source code and also with music. I can affect you.

And so I kind of understood that age that, OK, so as a musician, right, I am playing with the source code and also with music. I can affect you.

And so I kind of understood that age that, OK, so as a musician, right, I am playing with the source code and also with music. I can affect you.

as a human like just to give a very short example you know i can give you a guitar riff and put a drum beat to it i'm going to make this drum beat a little bit shuffled meaning that the snare will not come mathematically what it's supposed to it's going to be a little bit late Badly audible, right? It's gonna give you a feeling that, oh man, we are cruising. Yeah, this feels good, right?

as a human like just to give a very short example you know i can give you a guitar riff and put a drum beat to it i'm going to make this drum beat a little bit shuffled meaning that the snare will not come mathematically what it's supposed to it's going to be a little bit late Badly audible, right? It's gonna give you a feeling that, oh man, we are cruising. Yeah, this feels good, right?

as a human like just to give a very short example you know i can give you a guitar riff and put a drum beat to it i'm going to make this drum beat a little bit shuffled meaning that the snare will not come mathematically what it's supposed to it's going to be a little bit late Badly audible, right? It's gonna give you a feeling that, oh man, we are cruising. Yeah, this feels good, right?

It's, you know, island time. Yay, right? Now, I take the same guitar riff. I'm gonna put a drum beat on it and I quantize it. So it's exactly on time. It's gonna be like, oh man, let's go to war. Bam, bam, it just feels like, let's go. Or I take the same snare and I push it a little bit. Again, it's not really audible. You can only feel it. And so now snare comes a little bit early.

It's, you know, island time. Yay, right? Now, I take the same guitar riff. I'm gonna put a drum beat on it and I quantize it. So it's exactly on time. It's gonna be like, oh man, let's go to war. Bam, bam, it just feels like, let's go. Or I take the same snare and I push it a little bit. Again, it's not really audible. You can only feel it. And so now snare comes a little bit early.

It's, you know, island time. Yay, right? Now, I take the same guitar riff. I'm gonna put a drum beat on it and I quantize it. So it's exactly on time. It's gonna be like, oh man, let's go to war. Bam, bam, it just feels like, let's go. Or I take the same snare and I push it a little bit. Again, it's not really audible. You can only feel it. And so now snare comes a little bit early.

I'm giving you anxiety, physically giving you anxiety, right? You're like, whoa. So imagine if I start to just mix those patterns within a song. I give you an anxious verse, and I release it in the chorus.

I'm giving you anxiety, physically giving you anxiety, right? You're like, whoa. So imagine if I start to just mix those patterns within a song. I give you an anxious verse, and I release it in the chorus.

I'm giving you anxiety, physically giving you anxiety, right? You're like, whoa. So imagine if I start to just mix those patterns within a song. I give you an anxious verse, and I release it in the chorus.

FRANCESC CAMPOY- You know, there's the obvious cliche that music kind of

FRANCESC CAMPOY- You know, there's the obvious cliche that music kind of

FRANCESC CAMPOY- You know, there's the obvious cliche that music kind of