As production music composers we often get reference material from our publishers and clients, but how do we actually use these references? And how can we keep from ripping off another composer? Plus, we listen to an orchestral tension cue from 52 Cues community member, Richard Bagley!Watch this episode on YouTubehttps://www.youtube.com/watch?v=Z8D01tjIawU00:00 – Intro01:46 – Mining the Reference16:11 – How to Keep from Cloning or Plagiarizing a Reference23:21 – 52 Cues Community Cue, "Out of Time" by Richard Bagley (https://soundcloud.com/user-540578549)32:23 – Patreon InformationSupport for the 52 Cues Podcast comes from ReelCrafter, the professional way to pitch your production music and know exactly when your cues are heard.Start your free trial at ReelCrafter.com/52Cues!Join the 52 Cues Community! – https://my.52cues.comIt's free to post your cues for feedback from the community, network with other composers, and ask questions about the industry!Plus, member subscribers get extra perks like workshops, livestreams, cue breakdowns, live feedback sessions, hundreds of hours of video archives, and opportunities to submit to real music libraries.One-on-one coaching sessions and video critiques also available at http://52cues.com/coaching!Note: Links may be affiliate links which generate a small commission but at no extra cost to you!

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“What did the council decide on item 42?” — answered with the speaker and the moment.

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