Is writing just one cue per week enough to have a career in production music? We talk about that, how to balance quantity vs. quality, and we listen to a tension cue from 52 Cues community member, Angel Jimenez!Watch this episode on YouTube:https://youtu.be/bfBoCi4OQY000:00 – Intro01:49 – How many cues per week do we need to write?26:01 – 52 Cues Community Cue, "Caravan" by Angel Jimenez39:13 – Patreon Information"A Composer's Guide to Library Music" by Dan Grahamhttps://librarymusicbook.com/ "How to Write 52 Cues in a Year"https://vi-control.net/community/threads/how-to-write-52-cues-in-a-year.119871/Support for the 52 Cues Podcast comes from ReelCrafter, the professional way to pitch your production music and know exactly when your cues are heard.Start your free trial at ReelCrafter.com/52Cues!Join the 52 Cues Community! – https://my.52cues.comIt's free to post your cues for feedback from the community, network with other composers, and ask questions about the industry!Plus, member subscribers get extra perks like workshops, livestreams, cue breakdowns, live feedback sessions, hundreds of hours of video archives, and opportunities to submit to real music libraries.One-on-one coaching sessions and video critiques also available at http://52cues.com/coaching!Note: Links may be affiliate links which generate a small commission but at no extra cost to you!

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“What did the council decide on item 42?” — answered with the speaker and the moment.

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