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江月去人只数尺，风灯照夜欲三更。沙头宿鹭联拳静，船尾跳鱼拨剌鸣。在绝句体中，有一种“一句一绝”的格调。即每句写一景，多用两联骈偶，句子之间似无关联。它最初起源于晋代《四时咏》:“春水满四泽，夏云多奇峰。秋月扬明辉，冬岭秀孤松。”唐代作者已不多，惟杜甫最喜运用这种体格。大约是因为他太精于诗律，运用这种绝体，可以因难见巧吧。他最脍炙人口的绝句如“两个黄鹂鸣翠柳”（《绝句四首》其一）、“糁径杨花铺白毡”（《漫兴》其七）、“迟日江山丽”（《绝句二首》其一）等，也都是用这种体格。这些诗的优点不只在于写景生动，律对精切，而尤其在于能形成一个统一完美的意境，句与句彼此照应，融为一幅完整图画。
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