WATCH THE VIDEO VERSION HERE (and if you do please like, subscribe, and comment - we are trying to get our videos some traction): https://youtu.be/vQZ0yMxdfuE¡ ¡ W E ‘ R E B A C K, Y ’ A L L ! !This time getting lost in the weird and wonderful world of painter, photographer and printmaker Yasuo Kuniyoshi’s early works (Part 1) that feature wonky landscapes populated by dream logic, lumpy babies, curvaceous women, angular farm animals, and Japanese folk tales as well as American folk influences.Yas’ early works became an amalgamation of his lifelong journey of self-identity, expertly blending sentimental past memories, like that of Japanese folktale Momotaro, with present feelings of fear and isolation due to the growing racism and tension he was experiencing on the daily.As an Asian American immigrant, and like many other Nikkei, Yas found himself trapped somewhere in the middle - considered neither Japanese nor American enough - as relations between the US and Japan escalated. We discuss “Little Joe with Cow” 1923, “Bad Dream” 1924, and “Self-Portrait as Golf Player” 1927. Topics include shedding your husk, Weezer dance-a-thons, dual cup-holder LaZ boys, censoring comics and mermaids . . . and so much more!!Music: "A flower blooms in complete darkness"From the album: "Visions, Prophecies, and Night Terrors" by The Hathaway Family PlotCheck out the album on Spotify or Bandcamp https://thehathawayfamilyplot.bandcamp.com/album/visions-prophecies-and-night-terrorsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

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“What did the council decide on item 42?” — answered with the speaker and the moment.

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