We sit down with curator Rachel Adams to talk about institutional evolution, artists as infrastructure, and how curatorial practice shifts between museums and biennials. Rachel reflects on working with artists like Cauleen Smith, Liz Magic Laser, and Beatriz Santiago Muñoz, the power of slow curation, and why she's drawn to hybrid spaces that defy the market. Along the way: phantom titles, artist contracts, Minneapolis moments, and a manifesto in a box of ice cream bars. Cauleen Smith cauleensmith.com Liz Magic Laser lizmagiclaser.com Beatriz Santiago Muñoz lima.art Candice Hopkins indigenousnewyork.org Nato Thompson https://www.natothompson.com/about Christina Vassallo columbusmuseum.org Sarah Schultz mplsart.com Alison Hearst themodern.org Andrea Andersson riversinstitute.org Franklin Sirmans pamm.org Mary Jane Jacob https://never-the-same.org/interviews/mary-jane-jacob/ Independent Curators International (ICI) curatorsintl.org image: Asad Raza, Orientation, 2022. Courtesy of the artist. Photo: Field Studio.

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“What did the council decide on item 42?” — answered with the speaker and the moment.

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