Jo Hamya’s new novel, “The Hypocrite,” opens as the trap is being laid. Sophia, a 20-something playwright, has invited her father, a famous and provocative British novelist, to come see her new work. As the play begins, he is shocked to realize he recognizes the set. It’s a replica of the kitchen in his vacation home near Sicily. Then the lead actor saunters onstage wearing the author’s favorite shirt and proceeds to have loud sex with a woman he just picked up at a bar. The audience roars. The author is undone. At the same moment, Sophia is having lunch with her mother at a nearby cafe and fretting over what her father will think of the play. Her mother, the writer’s ex-wife, is both sympathetic and cavalier, weary of dealing with self-absorbed artists and yet unable to abandon her martyrdom. Who is the hypocrite here? All of them. Hamya’s novel is a bracing, complex and uncompromising look at the generation conflicts in our present age. She joins MPR News host Kerri Miller on this week’s Big Books and Bold Ideas to talk about “The Hypocrite” and so much more — including our current cancel culture, how to write a play within a novel and why she took pains to avoid writing actual sex scenes in her book. Guest: Jo Hamya is a London-based writer. “The Hypocrite” is her second novel. Subscribe to Big Books and Bold Ideas with Kerri Miller on Apple Podcasts, Google Podcasts, RSS or anywhere you get your podcasts.Subscribe to the Thread newsletter for the latest book and author news and must-read recommendations.

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