New York, New York with Lin-Manuel Miranda
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What tagline debates reveal about the film’s love‑story premise?
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A love story is like a podcast. It's beautiful while it lasts. Is that the tagline? It's one of two taglines. Okay. That's fine. A love story is like a song. It's beautiful while it lasts. Quite a good tagline, I would say. Yes. And pretty that's a that's an apt and good tagline. Pretty nail on the head for this movie. That's the best way you could
sell this movie accurately. The war was over and the world was falling in love again. That's a classic tagline for this movie as well. I remember that one.
Yes. Now I don't think that represents the film very well because that makes you think that you're gonna see a sweeping love story about a functional relationship post war romance. The war
was not over. The war doesn't end. That is so true. The war ain't over.
I think it's arguable if these characters ever fall in love.
Well, uh I okay, fair enough. Sure.
I I think that's part of what makes the movie interesting and break also gets to the fundamental brokenness of this movie, what makes it such a thorny text with.
Yes. But I don't I don't think
You don't
think they fall in love? I mean too nice. Improv their way to the scene where they fall in love and they never got it.
Yes. Yeah, cuz it's they they fall into. uh an intense connection, I guess is the best way to put it, right? Like it's like when when he's screaming at her in the cab and then she goes into labor, he does react, maybe not uh with uh, you know, the sort of uh not romantically, but like there and she you know, they do they there's something there, right? Like there is there's an understanding between them that is deeper than they just don't like each other. But But I don't know if I
could call it love. I think part of what's interesting about this movie, conceptually, but is dramatically almost impossible to execute, which leads to why this movie can be such a trying watch, is that I think it's two people who know how lonely they are and know how much chemistry they have together performing, and they convince themselves. that the other stuff works sometimes. And
look, we will talk about it. This movie is about You know, putting a a a modern and complex relationship into a a vintage setting. Can I throw and everyone was like, ah you know, everyone's reaction at the time is like, ah I hate it. I hate this. Oh no. These epics should never have
met. Right. Why are they yelling at each other?
May I throw out my hottest take right off the bat? Go ahead. And I'm I'm really I was running through my head and I'm like, I think I I stand by this. In the pantheon of Martin Scorsese, Robert De Niro collaborations, is this the bottom of the list last De Niro character you want to date? Yes. Uh
oh
not only date, honestly, fucking
meet. I don't want to be on a subway car with this guy, much less watch him. And I'm
aware that he did
Cape
Fear. Like I know that there's Cape Fear.
Do the main characters actually fall in love in the movie?
But it's the least criminal character out of all of them. And yet all the other guys undeniably are rizzing Jimmy Doyle off the stage.
It's like if the guy from Cape Fear wandered into the bandwagon.
Yes. Yes. I mean, I like my friend Caitlin, who is in a who loves this movie, says this calls him the scariest man on two legs. That's her letterbox reviews. Yes. Yes. And I mean, yeah. I to fake limping, maybe never even served legs. Yes. This is very true. Where'd he get that Hawaiian
shirt? But you're like every other Scorsese De Niro character is on paper the scariest man who ever walked on two legs. And yet in the execution, you're like, I think I could fix him though. And this guy is broken. Or you're like, he's charming. There's something. My
my hottest take. Is that um I think two thirds of the way through this podcast, you should interrupt it with the last waltz podcast because that's basically what happened. He was like, I didn't, I didn't get it on this one. Let me go make the last waltz. Like it actually it should actually crash in to like whoever you're interviewing.
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Chapters
8 chapters
1
What tagline debates reveal about the film’s love‑story premise?
0:01–3:12
2
Do the main characters actually fall in love in the movie?
3:12–5:20
3
Why is this Scorsese film considered a major “bounce” in his career?
5:20–12:34
4
How did improvisation shape the film’s scenes and its music?
12:34–1:01:45
5
Why do the hosts compare Liza Minelli’s storytelling style to classic Hollywood razzle‑dazzle?
1:01:45–1:30:27
6
How do they explain the production challenges and Scorsese’s approach to the musical film?
1:30:27–1:42:40
7
What do they say about the film’s box‑office performance, awards history, and lasting legacy?
1:42:40–1:54:49
8
How do the hosts wrap up the episode and preview the next show?
1:54:49–1:59:01