Guest: Jini Jane Two years ago, Jini Jane made a call on the website GeenStijl. To bridge the gap, she wanted to have sex with right-wing men as a left-wing philosophy student at the University of Amsterdam (UvA). FvD philosopher Sid Lukkassen responded, resulting in the controversial film 'Honeypot'. Two years later, Stefan Ruitenbeek follows her OnlyFans adventures in the suburbs of Paris when their path crosses with Michel Houellebecq. His wife Lysis indicates that the French star author is interested in a honeypot-like adventure. In this episode, we delve deeper into what has happened in Paris since then and how Jini Jane herself views the agreements made about the creation of the juicy film footage. About the series Houellebecq vs Kirac: In this special series I want to report on the lawsuit between Michel Houellebecq on one side and KIRAC, or Keeping It Real Art Critics, on the other side. Leading up to the judge's verdict in about four weeks, I want to talk to various directly involved parties, in the lawsuit and in the making process of Kirac's film, the film about Houellebecq, the film that Houellebecq wants to ban. Audio: Jasper Cremers Camera: Thomas de Boer, Sebastiaan Verbeeten & Just van Westen Special thanks to: Gerechtshof Amsterdam, Melissa Zijlstra, Ron van Leeuwen, Christiaan Alberdingk Thijm, Levina van Winden, Jini van Rooijen, Isa Moleman, Forrest Muelrath, Philip van den Hurk, Stefan Ruitenbeek, Kate Sinha, Josha Sietsma, Sietske’s Pottery & Cartoon Box Animations Support Open Geesten / Zomergeesten / Boze Geesten Podcast 👉 👉 Support via Patreon: https://www.patreon.com/bozegeestenpodcast 👉 Support via Petje af: https://petje.af/bozegeestenpodcast 👉 Follow me on Instagram: https://www.instagram.com/michiellieuwma/ 👉 SUBSCRIBE YouTube-channel: https://www.youtube.com/channel/UC7NxD1gugqog0fzMOAflOKA?sub_confirmation=1 *** Jini Jane Instagram: https://www.instagram.com/jini.jane/?hl=en Jini Jane Twitter: https://twitter.com/jinijane_?lang=en

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“What did the council decide on item 42?” — answered with the speaker and the moment.

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