Boston Blackie: The Merry-Go-Round Murder 05/14/1946

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Choice Classic Radio Detectives | Old Time Radio 26 min 5 speakers 4 chapters transcribed 1 hour ago
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What introduction does Choice Classic Radio give before the story begins?

Choice Classic Radio Host 0:00
Welcome to Choice Classic Radio, where we bring to you the greatest old-time radio shows. Like us on Facebook, subscribe to us on YouTube, and thank you for donating at choiceclassicradio.com.
Choice Classic Radio
Mary Wesley 0:28
Oh, Blackie, this is the life. Alone with you in a handsome cab at 2 a.m. Who could want anything better?
Boston Blackie 0:47
The horse, maybe. He may be smart and prefer his bed to the
Mary Wesley 0:51
park. Don't
Boston Blackie 0:52
you know it was 2 a.m.?
Mary Wesley 0:53
I can tell by the stars. In the position of the moon... And besides, I just looked at my watch.
Boston Blackie 1:00
Well, at least you impressed our driver. Listen to him
Unknown 1:02
chuckle. Well, I ain't impressed with her telling time of the moon and stars, son. I'm impressed because you're Boston Blackie. You see? You are, ain't you?
Boston Blackie 1:11
Yes, but don't tell your horse. He might
Unknown 1:14
quit. And you must be Miss Wesley, ain't you, lady? My main fault is I'm curious.
Mary Wesley 1:21
Yes, driver, I'm Miss Wesley. That's my main fault, too.
Boston Blackie 1:25
In as much as it's two o'clock, Mary, I think we'd better head for the nearest exit to town. Let's get out of the park, driver. All
Mary Wesley 1:32
right, Mr. Blackie. Oh, and I was just beginning to enjoy this.
Boston Blackie 1:37
Wait a minute. I hear an organ somewhere.
Unknown 1:39
It's the merry-go-round over there. Oh, yes, it is. See the light shining through the trees?
Boston Blackie 1:44
Yes, I do. The merry-go-round running wide open at two o'clock in the morning? This is crazy. Hold it, driver.
Unknown 1:50
Sure, sure. Hold. Hold down. Hold down. Hold up there.
Boston Blackie 1:54
Wait here a minute, driver. Come on, Mary. Let's have a look.
Mary Wesley 1:58
Oh, but I...
Boston Blackie 1:59
The carousel shouldn't be running at this time of night. It should be closed up tight by sundown. Come on.
Unknown 2:03
All right.
Boston Blackie 2:04
You'll wait for us, driver?

How do Blackie and Mary first discover the mysterious midnight carousel?

Unknown 2:05
Sure thing, Mr. Blackie. Sure thing.
Boston Blackie 2:09
Here's a path through the hedge, Mary.
Mary Wesley 2:10
Yeah, I see it. Thanks.
Boston Blackie 2:12
Hey,
Mary Wesley 2:13
look at the carousel.
Boston Blackie 2:14
It's turning.
Mary Wesley 2:14
Yeah, isn't that funny?
Boston Blackie 2:16
I'll say. I wonder where the operator
Mary Wesley 2:18
is. I don't know. There doesn't seem to be anybody.
Boston Blackie 2:20
Mary, there's not a soul here. Nobody in sight.
Mary Wesley 2:22
No, there doesn't seem to be. Now, I can't understand that, Blackie. The lights are on, the organ's playing, and the carousel is turning. And yet...
Boston Blackie 2:30
Yet there isn't anyone around. Mary, I've got an idea that this merry-go-round in front of us has a mystery in back of it.
Unknown 2:44
And now, back to Dick Calmer as Boston Blackie. Enemy to those who make him an enemy. Friend to those who have no friend.
Bruno Satin 2:53
Blackie,
Mary Wesley 2:55
I don't get this at all. I don't either,
Boston Blackie 3:02
Mary. But it gets me. Nobody's on any of the
Mary Wesley 3:05
horses. Look, look. There is a man on one of the horses. There, you see? Coming around from the back.
Boston Blackie 3:10
Oh, I see him.
Mary Wesley 3:11
He'll be right in front of us in a minute.
Boston Blackie 3:12
Hey, you!
Mary Wesley 3:15
He's asleep.
Boston Blackie 3:16
I'll jump on and wake him up.
Mary Wesley 3:17
Careful, darling. Oh, don't
Boston Blackie 3:18
worry. I used to hop only freight trains when I was a kid.
Mary Wesley 3:22
Is the man on the horse asleep? Wait till I come around again and
Unknown 3:25
I'll tell
Mary Wesley 3:28
you. Well, Blackie, what about the man?
He's asleep.
Boston Blackie 3:33
He reads permanently. The guy riding this wooden horse has a bullet in his head.
Bruno Satin 3:54
Hello?
Boston Blackie 3:55
Good morning, Inspector Faraday. Good morning, Inspector. This is Blackie.
Unknown 4:00
Morning, Blackie. Hey, what's the idea? It's dark out.
Boston Blackie 4:05
But it's still morning, pal. Three o'clock in the morning.
Unknown 4:07
Look, you. Can't I even get a good night's sleep?
Boston Blackie 4:10
Oh, can you with a conscience as guilty as yours? But look, Faraday, I've got a little job for you.
Inspector Faraday 4:15
Well, save it for morning.
Boston Blackie 4:16
By morning, I'll have it finished myself.
Inspector Faraday 4:18
What are you raving about, Blackie?
Boston Blackie 4:20
Murder, Faraday. There's a body with a bullet in its head riding a wooden horse on the merry-go-round in the park. A body dressed in a riding habit.
Unknown 4:28
Blackie, you feel all right?
Boston Blackie 4:30
Just fine, Faraday.

What clue does Blackie find on the carousel that hints at a murder?

Unknown 4:32
Nothing's the matter with you at all?
Boston Blackie 4:35
Not a thing.
Unknown 4:36
Then stop that nonsense and start talking sense.
Boston Blackie 4:38
I don't blame you, Inspector Old Man. It sounds ridiculous even to me. And it'll sound more ridiculous when I tell you who the corpse is. Or was.
Unknown 4:47
Well?
Boston Blackie 4:48
John Van Dorn, the millionaire sportsman.
Unknown 4:51
The best-known horseman in New York, and he's found dead on a wooden horse on a merry-go-round? Well, that's the most ridiculous thing I've ever heard.
Boston Blackie 4:57
Seems silly to me, too, Faraday, but believe me, I'm serious. He's going around and around and around. Blackie,
Unknown 5:03
you're not kidding.

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