Normal 0 false false false EN-CA JA X-NONE /* Style Definitions */ table.MsoNormalTable {mso-style-name:"Table Normal"; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-priority:99; mso-style-parent:""; mso-padding-alt:0cm 5.4pt 0cm 5.4pt; mso-para-margin:0cm; mso-para-margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:12.0pt; font-family:"Calibri","sans-serif"; mso-ascii-font-family:Calibri; mso-ascii-theme-font:minor-latin; mso-hansi-font-family:Calibri; mso-hansi-theme-font:minor-latin; mso-fareast-language:EN-US;} One year ago a small budget documentary was premiered at the HotDocs film festival in Toronto. The film followed the journey of a photographer – Jo-Anne McArthur – as she explored the exploitation of animals in modern society. In the year that passed, The Ghosts in Our Machine has become a staple in the work of advocates everywhere. With harrowing – yet not gruesome - scenes inside factory farms and fur farms, Ghosts is a powerful yet palatable look into a world many try to ignore. To celebrate this one year landmark and the release of The Ghosts on DVD and the iTunes Store, Jo-Anne McArthur joined Defender Radio for a candid conversation.

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“What did the council decide on item 42?” — answered with the speaker and the moment.

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