Valentina D'Efilippo is equally comfortable immersed in science as she is in storytelling and graphic design. That tension has shaped nearly two decades of work translating dense, unwieldy datasets into visual stories: flowers standing in for a century of wars, a dandelion holding the shape of the #MeToo movement on Twitter.A cold email from HarperCollins turned an early instinct for this kind of work into a profession—pairing her with data journalist James Ball on The Infographic History of the World, a book that's since sold in eleven languages and launched the career she now runs through her studio, Apostrophe One.In this conversation, Valentina traces her path back to a graduate thesis on gender stereotypes in children's books. It was her first real data project, before she had a name for what she was doing. We talk about the responsibility of deciding what a dataset reveals and what it hides, and why she reaches for beauty and visual metaphor even when the numbers are devastating. She also opens up about revisiting her 2014 project Poppy Field last year: an analog visualization where each hand-painted mark represents a single Palestinian death, made largely in silence over sixteen hours and shared on Instagram. This episode is for designers, journalists, and anyone who's ever had to decide how to represent a data set—and felt the weight of that choice.Follow us on Instagram @rgdcanada or visit us online at rgd.ca. Purchase tickets to the upcoming DesignThinkers conference at designthinkers.com.

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