484. El Negocio del Arte | Museos, Bancos e Impuestos
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Why does Filippo Giusti consider art a luxury good and a powerful financial tool?
See, the art at the final is a life. It's a negotiation. I understand my art, the proposal of my art, that I forgot to get these patterns limiting of the artist. It's another men that I said that they involve it is peligrosous, you see.
How did the myth of the “poor bohemian artist” develop and why is it limiting?
What are you use the art for branding? It's art, clear. The art because it exists is a empowerment of your market, of your finances, incredible. And those who entire. I'm purista one, what you want to do.
What lessons can be drawn from the Renaissance patronage system for modern artists?
I don't know my art for vendor. And the art value. It's an argument financially enormous.
How does Giusti’s “sell what they want, give them what they need” philosophy work in practice?
Because if you create something that no one would say that it's clear that it is a million dollars. El pintor Bohemio Pobre es perfecto. Pero no es la única o no es la mejor versión de un pintor. Pero te quiero retar,
güey. ¿Tiene algo de cierto el que entra en ideas tuyas comerciales, mancha el trabajo del artista?
What are the two main types of collectors and how should artists approach each?
Señoras, señores, bienvenidos a un nuevo episodio de Dime Si Billetes, Filippo Giusti con nosotros hablando de finanzas, dinero y arte. Exacto, exacto. Gracias. ¿Se puede mezclar eso?
Pues se debe, se debe debe administrar.
How can partnering with banks and museums increase an artwork’s value by 10‑15%?
O sea, yo se lo recomiendo a todos, más bien, porque viene muy de la mano estos dos temas y siento que a veces la gente. Then, when the Second Guerra Mundial Picasso's War. Or if you can say this, I have another one that's Boom B Grande O O M. Boom. Super recommendable.
What is the “Maximum Potential = Passion + Purpose” formula and how does it guide Giusti’s career?
If you can talk more about this dynamic dinner and the art, but in the other Picasso's War, there's a platform. Alguien de Estados Unidos, no recuerdo, se fue a Europa, luego, luego después de la segunda guerra mundial. Okay. I think I can say, but for now, the point is to describe the story of Van Gogh. Best sellers have a pelly on this library. Incredible, the money among this pelly.
How can artists use provenance, tax deductions, and abstract pricing to boost their business?
El Momma has the exposition of Van Gogh. But what happens? For a library, for an app, this idea of the artist murder that he moved, but in his life it was a point, but This person is very bonus for a library. Perdón my ignorance, but Van Gogh was poor. Van Gogh was poor after that sure had problems of sales mentality, etc. But the hermano, the hermano, before he muries, empezed a move, but he would have. Pardon historians of artists, but that's what I did in this library. But what I'm saying is The chronological of that. It's the point that is very big, it's perfect for a peli. Romanticizar el pintor Bohemio Pove. It's perfecto.
But this idea that the poor derived, because it's much more interesting to have a romance, an appreciable of a Modigliani, who is my Libre. Or the people who have to do for the art, no importer command, because the art, the art, and then they're in a pick about Damien Hearst or Jeff Kuz, who are the artists actually more rich, an option that is 90 million dollars.
Y a ver, vayamos a la raíz del Renacimiento. En el Renacimiento. En tu natal Italia. Sí. La gente pintaba y los Miguel Ángeles y todo. Miguel Ángel fue uno de los más ricos de la historia. Exacto, pero a lo que voy es: tenían sus patrones que les daban mucho, mucho dinero. O sea, prácticamente tenían la vida. De alguna manera resuelta y no resuelta, estaban increíblemente exitosos. Increíblemente exitoso, y eso les permitía hacer las obras que hicieron. O sea, estaba lejos de esta
creencia del artista pobre. Te digo, se romantizó con estas películas y con estos perfiles. Pero Van Gogh, antes de esta expo, in el MOMA que hicieron an individual de Van Gogh, no mendí estos precios. Y bueno I el, el arte se vuelve como herramienta financiera Muy use in various aspects, of many ways. Proximity, it's the motivation perfection for creating this business and networking and negotiations.
I
think it's a very important thing.
La atención a eso ahorita que estuvimos platicando antes del podcast, que esta visión tuya de a ver, veamos el arte como un tema de lifestyle, de estilo de vida que te permita, pues sí, justo tener todo, entrar como a estos círculos o tener esta sofisticación. Además de todos los beneficios financieros o de activo de inversión que pudiera tener el cuadro. O sea, tú tienes una visión muy particular y ahorita me platicas también que incluso tú organizas exposiciones con cierto tipo de perfiles y es un poco la dinámica que buscas generar.
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Chapters
8 chapters
1
Why does Filippo Giusti consider art a luxury good and a powerful financial tool?
0:00–0:20
2
How did the myth of the “poor bohemian artist” develop and why is it limiting?
0:20–0:38
3
What lessons can be drawn from the Renaissance patronage system for modern artists?
0:38–0:45
4
How does Giusti’s “sell what they want, give them what they need” philosophy work in practice?
0:45–1:15
5
What are the two main types of collectors and how should artists approach each?
1:15–1:33
6
How can partnering with banks and museums increase an artwork’s value by 10‑15%?
1:33–1:59
7
What is the “Maximum Potential = Passion + Purpose” formula and how does it guide Giusti’s career?
1:59–2:34
8
How can artists use provenance, tax deductions, and abstract pricing to boost their business?
2:34–1:31:18
Speakers
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