The heat is on in London, so it's time for another set of exclusive short stories and another series of podcasts. Over the next few weeks we'll be hearing from Elaine Vilar Madruga, EC Osondu, Zhenya Oliinyk and Robin Munby, but we launch into Summer with Will Boast and his story The Line.Boast explains that this story came out of his own family's struggles with the US immigration system in the 1990s, after they moved from the UK when he was a child."We would get to the Federal Building in downtown," he says, "and literally if you didn't get in line by a certain hour you were not getting in the building."The Line started off with a family much like his own, Boast continues, but as he thought about the "hierarchy of immigrants" he started making his characters "less comfortable in the English language"."Polish immigrants are not thought about as much, I guess," he says, "and they are often more politically conservative than some groups. So I thought it would be interesting to take a character who has more conservative, right-leaning views on migration than I do and put that character in this scenario."The long line stretching around the Federal Building is just the visible end of a figurative line stretching all around the world, Boast adds. "Behind the line of people actually there physically waiting to get their papers, their green cards, eventually their citizenship, of course, there's a huge line of people applying for visas, hoping and dreaming to get that chance to be in that physical line."Even if his characters find a way through the bureaucratic nightmare, the west's ever-increasing hostility towards migrants is sure to exact some cost. But according to Boast, there's something about short fiction that makes them doomed from the start."Because of its formal rigour and its un-open-endedness as opposed to novels, which can stretch," he says, "a short story really won't work unless its ending is satisfying and feels fated in some way,"We'll be tempting fate next time with EC Osondu and his short story Uber Chat. Hosted on Acast. See acast.com/privacy for more information.

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