How Louis Armstrong Became The First Black Pop Star
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This is Fresh Air. I'm Terry Gross. Here's a question for you. Who do you think was the first black pop star? The answer is Louis Armstrong, according to one of the leading experts on Armstrong's life and music, my guest, Ricky Riccardi. He's just published his third book about Armstrong. This one is about Armstrong's early years, his rough childhood, his first recordings with other bands, and his famous first recordings with his own group, the Hot Five and Hot Seven. As Riccardi points out, those two early groups that Armstrong led, recorded between 1926 and 28, over the course of 25 months, those recordings have been studied by up-and-coming musicians around the world because they provide the foundational language necessary to master the art of improvisation.
For instrumental soloists and vocalists, Riccardi says Armstrong's innovations as both a trumpeter and vocalist set the entire soundtrack of the 20th century in motion. Riccardi has been the director of research collections at the Louis Armstrong House Museum since 2009. It's the world's largest archive focusing on one musician. It gave Riccardi access to previously inaccessible documents, including 700 hours of Armstrong recordings of his thoughts and his music, the unedited and unsweetened version of his autobiography, and several chapters of an unpublished autobiography by his second wife, Lil Hardin, who was also the pianist in The Hot Five. She wrote or co-wrote several songs Armstrong recorded and was instrumental in landing his first recording date. Through writing about Armstrong, Riccardi's new book has a lot to say about segregation in New Orleans in the first part of the 20th century. The new book is called Stomp Off, Let's Go, which is the title of a song he recorded with another band led by Erskine Tate.
Ricky Riccardi, welcome to Fresh Air. What a joy it was to do the research for this, you know, being forced to listen again to Hot 5 and Hot 7 recordings. I love Armstrong's recordings, particularly like the ones through the 1940s. But you've written about all of them, like his whole life of recordings. So let's start with one of his great recordings. And this is West End Blues. And it's what you describe as one of the most iconic recordings of the 20th century. Tell us why.
I mean, for me, this is kind of everything you need to know about Louis Armstrong in three minutes. Actually, it's probably everything you need to know about him in the first 13 seconds, because that unaccompanied opening trumpet cadenza, people are still learning it. I mean, during the height of the pandemic, there was a hashtag Louis Armstrong West End Blues Challenge, and they had musicians around the world trying to nail that cadenza. But then the rest of the recording... The way he plays the melody, the way he scat sings, the operatic trumpet playing at the ending. It was really his announcement to the world that he is here, he has arrived, and nothing will ever be the same.
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1928.
Okay. So why do you consider Armstrong the first black pop star?
So the records he makes in the 1920s, which are at the heart of Stomp Off, Let's Go, they were known at the time as race records, records aimed at cities and urban areas and the black community in general. And, you know, a lot of blues and a lot of instrumental jazz. But West End blues wasn't a runaway pop hit. You know, that that was still the terrain of Paul Whiteman and Guy Lombardo and band leaders like that. But it did move the needle a little bit. People were buying it. They were listening. They were influenced. And OK Records, Armstrong's label at the time, their head A&R man, his name was Tommy Rockwell, He was the one who kind of had the brainchild, like, man, this Armstrong guy has got something different. If we could just get him to connect with the larger public, you know, he really has a chance to be a star. And so beginning in late 1928, Rockwell starts expanding the sound of Armstrong's band, and he starts simultaneously releasing his recordings as race records and as pop records.
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