BRAQUAGES DE FOURGONS, ÉVASIONS, FUSILLADES : L’INCROYABLE VIE DE FRANÇOIS TROUKENS

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Who is François Troukens and what led him from being a 1990s bank‑robber to a filmmaker?

Guillaume Pley 0:00
Salut et bienvenue sur Légende. Aujourd'hui on reçoit François Trouquens, réalisateur de films de gangsters, de films d'action. Il est belge. He has a petite particularity, c'est qu'avant de devenir réalisateur, He has been enemy public numero one in Belgique. He has gone dang, he enough perdubus. He has been cavale pendant plus years in France, in Belgique, in America duad also. He had a couverture, editeur de BD, he is devenued edite. He had another couverture, c'était réalisateur. He is developed very realisator. He racontera also comes how his life has changed, how he basculated the journey of the arrival of his enfant, but also the journey on a policier. He s'est reconstruit depuis. He is venue that François Troukens, he is with us sur Legend.
François Troukens 0:42
François Troukens, realisator and ex-braquer.
Guillaume Pley 0:49
I'm very content to receive, Franco.
François Troukens 0:51
Thank you to me.
Guillaume Pley 0:52
Realisate, ancient bracker, you have, it's like I've been present on the yeah. You know, it's not for the formula that you prefer, too.
François Troukens 1:01
But disons que ça me resume attaque. And moi je dis toujours j'ai braqué, je m'en défausse pas. Mais j'ai aussi coupé du bois et je suis pas bûcheron. I say couper, I say bracket or a fogon, but I resume. My profession bracker. So when we say a bracker, I'm bracket, but I'm not a bracker.
Guillaume Pley 1:23
Tu disais aussi que tu que tu
François Troukens 1:25
as
Guillaume Pley 1:26
commencé à braquer parce que tu voulais te faire une place dans la société. Qu'est-ce que ça veut dire ça exactement ?
François Troukens 1:33
I think we have enviewers lay when 18 ans. And on a bit queen, once you travail, ça va mettre un temps fou. And I'm going to financtu à compte d'auteur. En me disant I've gagnent du temps and j'en ai perdu. Alors j'ai perdu de l'expérience, j'ai gagné de l'expérience, j'ai perdu du temps, forcément.
Guillaume Pley 1:59
C'était de braquer A master mago for to produce, to create things, is that?
François Troukens 2:05
It's more complex than that. My person is a chanted opera, agronomist, so I've evolved in a year artistic. And it was for my phone, I wanted to enter the army. I occupied the protection. And I had a mission of protection reproduction after each year. I was very tired of that. My brother was con. Antimilitarist. I was in coastal with my pétard and protected politics, they are important. You have a look a bit of the banks.
François Troukens 2:42
And I've had my place. Et là, il y a eu un social, je me suis dit, mais je peux pas. pas retourner à l'école, j'avais commencé des études de cinéaste, je me voyais mal. repartire like an estudiant. And then I've used this idea completely dingue, I'm like a port d'armes, I mean I'm engaged in a society of transport of funds, and with this argument line, I'll create and devenir the realizator that I've enjoyed to devenir.
Guillaume Pley 3:06
When you say that, it's like the idea is to break a fogon.
François Troukens 3:10
Well, it was a foggon, send violence, because I didn't have cheval of three, I'll rent a society, approach all the techniques and see how to do to make a couple. And after I want a boat and I'll have a fund to financial. Exactly. And I thought it was. In the first time I was the music at the episode, and I did have a moral new beat, it was a techno of the episode. And I said I'd pay their animate radio, you pass, you have a bill, and the people have passed three or four years in the morning, and then you have a little morceau. And then I said, with the freak, you can really have too much like the others. L'art ça ne succède pas déjà.
Guillaume Pley 4:00
Justement tes premiers vols, c'est quoi? C'est
François Troukens 4:02
des vêtements? Well, j pick the vêtements parce que je peux pas acheter just because my parents have.
François Troukens 4:15
I've had 14-15 years and I had less bar than the mechanical. But also it was a technique, I didn't déshab to go to the school, me changing. Because my parents were excessively, they were radical in the bio. And it's really sad, because my mère me triquetait depuis long, on pouvait pas porter synthetic, on faisait jeans par exemple, my mère me disait, and I have reason. T'as des colorants qui polluent la peau, etc. Avec des colorants bio, parce que I'm sensibilisé too. But when t'as 14-15 ans, tu comprends pas.

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