DÉBRIEF - Thomas Marty revient sur ses débuts dans l'émission

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Les Grosses Têtes 7 min 3 speakers 7 chapters transcribed 5 hours ago
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Why did Thomas Marty decide to join the Grosses Têtes panel?

Laurent Ruquier 0:00
Bonjour, c'est Laurent Rucki et l'émission des grosses têtes vient de se terminer sur RTL, mais en exclusivité pour vous, chers auditeurs, je vous propose d'écouter le débrief animé par une des grosses têtes du jour au micro de Rachel Azria. C'est parti.
Thomas Marty 0:21
Wait, that's that. Here we did a little timid, but already I'm gonna say to a little bit of van. But in the case, it's a real pleasure to be along of that table and in this emission legendaire that's The Gross Tet. My papa is auditor, but for the work. And then when I said my family that I was the gross text, it was wow. It was a
Rachel Azria 0:44
gral. It was more than one of the spectacles.
Thomas Marty 0:48
I think we have the Olympia and the gross text, but the two are validated. So
Rachel Azria 0:52
we have coaches. What's what the project?
Thomas Marty 0:54
The film, I think.
Rachel Azria 0:55
Is it right? Realism a film or a film? Okay.
Rachel Azria 1:09
Fallait sympa. It is not very sympathy, but it is very sympathetic, the emissions of the name of the questions as difficult or?
Thomas Marty 1:22
In fact dès que it's over 1500-1600, I'm not sure. But it's cool to change and leave it.

How did Thomas describe his first reaction to the show’s questions and atmosphere?

Thomas Marty 1:35
Are we questions? It's troubling when we say the shinsu, what's it? Finally on posing a question, we assume what it was, it was a suicide collective.
Rachel Azria 1:47
No, no, no, I've been
Thomas Marty 1:49
two,
Rachel Azria 1:51
let's see if we have one here, one already. Well, the niveau is correct. Correct. I don't know what you're stressed after integrating the gross text because it's a family. We have 50, 70 of society, the gross teeth. It's sure that to rent in the big room that Laurent said. And it's a pet also, but is we have a stress to swear at this chaise?
Thomas Marty 2:17
Alright, uh pas trop, because I've got Alexis Lauro signol and it's a pote at mouth and
Rachel Azria 2:23
the coulisses, he was offered a petos. For your fish?
Thomas Marty 2:26
Wait, but I raconte the very history. The Alexis we have two people at one month of interval. And when his baby is near, I enjoyed a cadeau of naissance. He must respond ah I've really prevented for my fist, so if I say it's not spontaneous. And there's no one, and then he is with their voice along that baby has been a mouth.
Rachel Azria 2:50
I'm going to do it for later. I think he's not going to use it for their venture because he has to say what age and what the people. So I'm going to put the risk.

What early projects (like his Amazon Prime show) does Thomas mention and why are they important?

Thomas Marty 2:59
He has a playmobil.
Rachel Azria 3:01
But it's always utter for a big garden.
Thomas Marty 3:04
For a pet, it's nice.
Rachel Azria 3:11
Or the moment, he has a lot of
Thomas Marty 3:14
such
Rachel Azria 3:14
a. Vous aviez peur d'une grosse tête avant d'intégrer cette émission ?
Thomas Marty 3:18
Pas peur, but un peu étouffé by the questions, by Caroline, has a sacred voice, and a while you have a blagues and the micro and it is another way. It's good to impose.
Thomas Marty 3:41
But for the two En tout cas, j'étais ravi, j'espère qu'il était content, le patron monsieur Ruquier, que voilà, de ma présence. You can't
Rachel Azria 3:48
destabilisate, it is?
Thomas Marty 3:50
No, that was. Here he made that timid, so I've had a little bit of pressure. At the moment, it's the time that I'm there this micro.
Rachel Azria 4:01
No, no, no, I'm specular. J'avais fait j'ai fait un point avant vous. Avec vous, avant le podcast, je replace les mots. Il y a le premier spectacle que vous avez fait, il est sur Amazon Prime. Celui là il s'appelle Ad la Biz.
Thomas Marty 4:15
Exactly.
Rachel Azria 4:23
On garde ce nom?

How does Thomas explain the evolution of his comedy style from his twenties to today?

Thomas Marty 4:24
No, mais là il y a un nouveau sortir, là j'appelle ma bonne étoile.
Rachel Azria 4:28
D'accord.
Thomas Marty 4:29
And Alright, the first spectacle I was the time of a trentenaire, I went to the bank for me in the humor. And that's a spectacle plus tender and at the moment rigolo. In growing my history, I performed my mom when I had 20 years. I traveled at the bank and I did a new philosophy of me of this terrible. And so I did that. And my member is a little my bonus because I was party, all the arrives is both.
Thomas Marty 5:20
He put the van.

What personal anecdotes does Thomas share about family, kids, and backstage moments?

Rachel Azria 5:21
No,
Thomas Marty 5:21
he put it. It's the family. I want a little conductor, and I embark these people in these stories, anecdotes of family.
Rachel Azria 5:30
When the spectacle is my bonnet, we have a ritual after a pencil for your mom.
Thomas Marty 5:38
Ouais too, je monte sur scène avec un petit coeur and
Rachel Azria 5:42
then. Oh no, I mean fling the truck.
Thomas Marty 5:51
Don't jump before and the mechanical are low, no button on the noir and she's no but my family has responded, I month pasta.
Rachel Azria 5:57
It's very I've never gotten that like ritual. But it has a pressure to say I don't know about 18h30, 19 hours.

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