The Tyler Engle, Bassforge | Matt Beall Podcast
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What are the fundamental geometric and acoustic principles Tyler proposes for ancient structures?
But what you can't do is you can't adjust an alignment of a monumental structure and you cannot change the geometric configuration of how that structure was built. Those two are ultimate truths in my opinion. When I say infrastructure blocks, I think these are interacting with the earth in a way. Whereas the temples were interacting with humans. To me, it looks like a modern processor, like a computer processor, except it's built in stuff. And the acoustics of these chambers is doing something to the water. That water is always green. Each one of those aligns perfectly with a node that's created by the frequency of 3460 Hz. What it's doing is reshaping the vibrations that are going through it into binary.
There is a clear interaction, if not an intentional design that's associated with the physics of oscillation of waves. This is going to be what we're going to use for the future of our technology moving forward, and it has its roots in every single tradition in the past.
I kinda started all this in you know, the the twenty twenty everyone trying to trying to figure their own stuff out. I had a lot of free time. Yeah. I uh s when I started getting into all of this, I had a uh I had a window cleaning business, we did high rise window cleaning and then nobody was going into the offices. And so so I when I did do that job I would you know, you're You have a lot of free time up there not talking to anybody. So I would listen to audiobooks and I just got I got started going down this esoteric path. And uh I was always like super analytical with it, but the the um what happened was I was kind of arguing with a friend one day when we were, you know, just hanging out and he goes, uh, you know, we still don't know how they how they built the pyramids.
And I was like, No, it's it's 2020, we know how they built the pyramid. Built the pyramids. And uh so I went down that rabbit hole and kind of just from there, it just went in this like obsession type thing. I was always really interested in it, but but the uh the the mystery of just not knowing and i i it was like that thing I needed to pull me. Just the there's no solution to any of this, so it's all kind of like a mystery box, and trying to put it together is just like very satisfying to my brain. Yep. Yeah, so I went down that I went down that path and I, you know, I didn't have any income and I was like, well, this is either I'm going into music or I'm doing something with this weird esoteric stuff that I can't stop looking at.
And so uh yeah, decided to like make those one project. And then um, you know, when I was when I was making video, I didn't really want to do it. I didn't really want to do social media, but uh I I had to advertise. My music stuff. And I did one video I was like breaking down how a speaker works, and then that one that one did really good. And then you know, tried my hand at doing the weird esoteric stuff, and those did amazing. So I was like, All right, the path has been chosen. It's been chosen. I've been chosen for this, I guess. Yeah, so we're So we're just gonna go down that. Right, right. Right, right. So like go It's like
Ghostbusters with a stay puff marshmallow man. You you you it was it was chosen. You you're you're going down that path. So um you were into music before you got into this though, right? And and so you the name of your channel is Bass Forge. Okay. And is that that's like a in honor of the the music component of it?
Yeah. So that was where when I when my business evaporated, I was making templates for how to make bass music. That was the base forge of the project. And um so my account before it it got big, it was just all posting like tutorials and stuff on how to make music. And that honestly the music was kind of the first gateway into all of this because the fit like wave physics and all of the the um that that was my background for college. I went to s to school for computer engineering. So I make all these comparisons because I know the hardware of you know how things work. And then that translated really well to music because you know kind of same same concept.
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Chapters
8 chapters
1
What are the fundamental geometric and acoustic principles Tyler proposes for ancient structures?
0:00–5:21
2
How does Tyler’s personal journey from window‑cleaning to music production shape his research?
5:21–15:47
3
Why does Tyler question conventional pyramid dating and argue for older timelines in Peru and Egypt?
15:47–43:21
4
How does Tyler define consciousness as a “big mind” and explain its interaction with temples and the Earth?
43:21–1:17:28
5
Why do modern festivals feel lacking in genuine human connection?
1:17:28–1:35:29
6
How does ancient temple geometry reveal hidden energy‑harvesting functions?
1:35:29–1:50:25
7
What is the predicted impact of AI on society and why might a collapse be imminent?
1:50:25–2:07:11
8
How will upcoming talks, music projects, and live events expand these ideas?
2:07:11–2:31:24
Speakers
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