In the basement room of an East London flat one rainy January morning, Jack sat down with the Irish writer Rob Doyle to discuss the publication of his third novel, Cameo, and delve into his long and complex love for the work of Martin Amis.Rob chose to talk about London Fields, the novel we first encounter on this series through the Financial Times columnist, Janan Ganesh. But whereas Ganesh grew up in Croydon in the late Eighties, with the London Amis depicts in the novel practically on his doorstep, Doyle had never been to England's capital when the cover of London Fields first caught his eye, aged 23, from the shelves of a book exchange at a backpacker's hostel in South East Asia.On a long bus journey in this far-flung part of the world, Doyle recounts coming to terms with the alchemic mastery of Amis's prose in this 1989 masterpiece. London Fields, he says, blended seamlessly the very highest ideas with the very lowest, all to great comic effect. Writing about London, Amis was engaged in an act of philosophy, dredged up from the deepest pits of urban and human decay.Rob and Jack go on to discuss that force of nature that is of course Keith Talent. Talent is for Doyle, as he is for Ganesh, not just one of Amis's greatest characters, but one of the greatest characters ever to cast a shadow on the history of English literature. Of all Amis's beleaguered and benighted male creations, Talent is also arguably the happiest, since apart from anything else, he would be the least bothered by Amis's contempt for him. Later on, Rob and Jack talk about the world Amis so often condemns his male characters to live in. Whether we look to John Self (a man consumed by his own oniomania), the bleak rivalry that sets Keith Talent and Guy Clinch on their fateful course with Nicola Six, or indeed that which Richard Tull and Gwyn Barry must see through a novel later in The Information, Amis's men are rarely sanguine creatures.Male conflict and humiliation were two of Amis's greatest subjects, but while Doyle still regards Amis as one of the best writers ever to interrogate them in their art, he is less convinced by Amis's opposition outlook on male relationships now, in his forties, than he was as a younger man.Happy New Year to you, dear listener. 2026 has begun.FOLLOW US ON TWITTER/ X: @mymartinamisFIND US ON YOUTUBE Hosted on Acast. See acast.com/privacy for more information.

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