Show notes
Creative storytelling is the beating heart of Darwin's science. All of Darwin's writings drew on information gleaned from a worldwide network of scientific research and correspondence, but they hinge on moments in which Darwin asks his reader to imagine how specific patterns came to be over time, spinning yarns filled with protagonists and antagonists, crises, triumphs, and tragedies. His fictions also forged striking new possibilities for the interpretation of human societies and their relation to natural environments. After Darwin: Literature, Theory, and Criticism in the Twenty-First Century (Cambridge UP, 2022) gathers an international roster of scholars to ask what Darwin's writing offers future of literary scholarship and critical theory, as well as allied fields like history, art history, philosophy, gender studies, disability studies, the history of race, aesthetics, and ethics. It speaks to anyone interested in the impact of Darwin on the humanities, including literary scholars, undergraduate and graduate students, and general readers interested in Darwin's continuing influence.
• Provides an interdisciplinary lens on the philosophy and writing of Charles Darwin
• Emphasizes Darwin as a thinker and a humanist, showing readers Darwin's wider-ranging and ongoing impact in various fields of social, philosophical, and aesthetic thought
• Looks beyond Darwin's theory of natural selection to focus on his contributions to theories of race and gender, aesthetics, ecology, animal studies, environmentalism, and politics
Devin Griffiths is an Associate Professor of English and Comparative Literature at the University of Southern California. His book, The Age of Analogy (2016) was a finalist for the BARS, BSLS, and NVSA book prizes. His work has appeared in Critical Inquiry, Victorian Studies, ELH, the History of Humanities, and Book History. He's now working on a study of ecocriticism and the energy humanities.
Deanna Kreisel is Associate Professor of English at the University of Mississippi. She is the author of Economic Woman: Demand, Gender, and Narrative Closure in Eliot and Hardy, and has published articles in PMLA, Representations, ELH, Novel, Victorian Studies, Nineteenth Century Literature, and elsewhere. Her current book project is on utopia and sustainability in Victorian culture.
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.
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