Sarah Bassett, "Style and Meaning in Late Antique Art" (Cambridge UP, 2025)

episode

New Books in Art not yet transcribed

▲ 0

Transcript

This episode hasn't been transcribed yet Upvotes decide what gets transcribed next — 0 so far. Sign in to upvote

More from New Books in Art

Leonhard Emmerling, "The Idiots: The History of the Homo Nullus" (Seagull Books, 2026) 54 min · 09 Sep 2026

All episodes from New Books in Art →

Report any issue

Source

Recorded31 Mar 2025

Publisherfeeds.megaphone.fm

Handlerec:5321409

Show notes

How do we best see and understand the art of late antiquity? One of the perceived challenges of so doing is that this is a period whose visual production has been defined as stylistically abstract and emotionally spiritual, and therefore elusive. But this is a perception which – in her path-breaking new book – Sarah Bassett boldly challenges, offering two novel lines of interpretative inquiry. She first argues, by focusing on the art of late antiquity in late nineteenth-century Viennese intellectual and artistic circles, that that period's definition of late antique form was in fact a response to contemporaneous political concerns, anticipating modernist thinking and artistic practice. She then suggests that late antique viewers never actually abandoned a sense of those mimetic goals that characterized Greek and Roman habits of representation. This interpretative shift is transformative because it allows us to understand the full range and richness of late antique visual experience. New Books in Late Antiquity is presented by Ancient Jew Review Sarah Bassett is Associate Professor Emerita, Art History at Indiana University Michael Motia teaches in Classics and Religious Studies at UMass Boston Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

Ask this episode

“What did the council decide on item 42?” — answered with the speaker and the moment.