Ali Mirsepassi, "The Discovery of Iran: Taghi Arani, a Radical Cosmopolitan" (Stanford UP, 2021)

episode

New Books in Biography & Memoir not yet transcribed

▲ 0

Transcript

This episode hasn't been transcribed yet Upvotes decide what gets transcribed next — 0 so far. Sign in to upvote

More from New Books in Biography & Memoir

Ben Westhoff ed.,"Lives Interrupted: The Fentanyl Tragedy" (Arsenault Family Foundation, 2026) 27 min · 09 Sep 2026

Ashley Kahn, "Days of Miracle and Wonder: Paul Simon and the Trials and Triumphs of Graceland" (Atria Books, 2026) 49 min · 05 Sep 2026

All episodes from New Books in Biography & Memoir →

Report any issue

Source

Recorded27 Jul 2022

Publisherfeeds.megaphone.fm

Handlerec:5328424

Show notes

The Discovery of Iran: Taghi Arani, a Radical Cosmopolitan (Stanford UP, 2021), opens with a fascinating passage about the 1934 decree whereby foreign delegates were instructed to refer to the country as Iran rather than Persian. In Ali Mirsepassi's view, the event closes a chapter on the long intellectual history of Iranian nationalism, which began in the often overlooked interwar era (1919-1935). Mirsepassi skillfully reconstructs the intellectual history of Iran during the interwar period by providing a holistic picture of the life and thought of Taghi Arani, a multifaceted public intellectual, a scientist, a cosmopolitan, and a Marxist. According to Mirsepassi, Arani's vision of Iran brings together cosmopolitanism with the idea of "civic nationalism" as a viable alternative to Soviet Marxism in the Global South. Arani's nuanced account of Iran as a nation has remained unacknowledged as an autocratic nationalism rises in Iran between 1934 and 1935. Yet, Arani's commitment to upholding the democratic ideals of the Constitutional Revolution (1905-1911), traceable to the Enlightenment, still has relevance today in the struggle against oppression, religious fanaticism, and cultural chauvinism. This study contributes a great deal to the understanding of intellectual history and social movements in the Global South, where demands for democracy and independence as well as oppression have been a part of the nation-building project. Kaveh Rafie is a PhD candidate specializing in modern and contemporary art at the University of Illinois at Chicago. His dissertation charts the course of modern art in the late Pahlavi Iran (1941-1979) and explores the extent to which the 1953 coup marks the recuperation of modern art as a viable blueprint for cultural globalization in Iran. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

Ask this episode

“What did the council decide on item 42?” — answered with the speaker and the moment.