Dana Stevens, "Camera Man: Buster Keaton, the Dawn of Cinema, and the Invention of the Twentieth Century" (Simon and Schuster, 2022)

episode

New Books in Biography & Memoir not yet transcribed

▲ 0

Transcript

This episode hasn't been transcribed yet Upvotes decide what gets transcribed next — 0 so far. Sign in to upvote

More from New Books in Biography & Memoir

Ben Westhoff ed.,"Lives Interrupted: The Fentanyl Tragedy" (Arsenault Family Foundation, 2026) 27 min · 09 Sep 2026

Ashley Kahn, "Days of Miracle and Wonder: Paul Simon and the Trials and Triumphs of Graceland" (Atria Books, 2026) 49 min · 05 Sep 2026

All episodes from New Books in Biography & Memoir →

Report any issue

Source

Recorded09 Mar 2022

Publisherfeeds.megaphone.fm

Handlerec:5328534

Show notes

“Not a whisper. / Never laughter. / Buster, thank you / for disaster.” So wrote graduate student Dana Stevens, who would go on to become Slate’s resident film critic and podcaster. Her love affair with Buster Keaton – strictly platonic, as their “first sustained encounter” was decades after the actor’s passing in 1966 – began at a cinematheque in Alsace. But Stevens’ book about actor-director-gag man-stunt virtuoso Buster Keaton, Camera Man: Buster Keaton, The Dawn of Cinema, and the Invention of the Twentieth Century (Simon & Schuster, 2022), is more than the story of one man. Through Keaton, Stevens tells the story of modernity, one that includes the myths and scandals of the Hollywood Dream Factory but that goes far beyond the usual contours of the celebrity biography. In this conversation, Dana Stevens discusses the origins of this, her first full-length book project, weighs in on her favorite Keaton films, and reveals the particular challenges of working as a critic of contemporary franchise filmmaking. Dana Stevens has been Slate's film critic since 2006. She is also a cohost of the magazine's long-running weekly culture podcast, the Slate Culture Gabfest, and has written for the New York Times, the Washington Post, the Atlantic, and Bookforum. Stevens lives with her family in New York. You can follow her on Twitter @thehighsign. Annie Berke is the Film Editor at the Los Angeles Review of Books and author of Their Own Best Creations: Women Writers in Postwar Television (University of California Press, 2022). Her writing has been published in the Washington Post, Public Books, Literary Hub, The Forward, and Camera Obscura. You can follow her on Twitter @sayanniething. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

Ask this episode

“What did the council decide on item 42?” — answered with the speaker and the moment.