Russell J. A. Kilbourn, "The Cinema of Paolo Sorrentino: Commitment to Style" (Wallflower Press, 2020)

episode

New Books in Biography & Memoir not yet transcribed

▲ 0

Transcript

This episode hasn't been transcribed yet Upvotes decide what gets transcribed next — 0 so far. Sign in to upvote

More from New Books in Biography & Memoir

Ben Westhoff ed.,"Lives Interrupted: The Fentanyl Tragedy" (Arsenault Family Foundation, 2026) 27 min · 09 Sep 2026

Ashley Kahn, "Days of Miracle and Wonder: Paul Simon and the Trials and Triumphs of Graceland" (Atria Books, 2026) 49 min · 05 Sep 2026

All episodes from New Books in Biography & Memoir →

Report any issue

Source

Recorded04 Aug 2020

Publisherfeeds.megaphone.fm

Handlerec:5328878

Show notes

Russell J. A. Kilbourn’s The Cinema of Paolo Sorrentino: Commitment to Style (Wallflower Press, 2020) is the first comprehensive study published in the English-speaking world on one of the most compelling figures in twenty-first centry European film, Italian 2014 Academy Award recipient Paolo Sorrentino. Kilbourn’s book offers close readings of Sorrentino’s cinema in eight dense and elegantly written chapters and one coda: from the filmmaker’s first feature One Man Up, to The Consequences of Love, The Family Friend, Il Divo, This Must Be the Place, The Great Beauty, Youth, and the TV series The Young Pope, produced by HBO. The coda discusses the biopic on Silvio Berlusconi Loro (Them), which came out in 2018. While contextualizing Sorrentino within the legacy of Italian cinema tradition, Kilbourn establishes meaningful connections with international filmmakers (from Spike Lee’s Do the Right Thing to Mary’s Harron’s American Psycho, among many others), literary texts (such as Primo Levi’s If This is a Man), and artistic works (such as Magritte’s surrealist paintings), showing how Sorrentino is “an exemplary twenty-first-century transnational filmmaker” and “an emergent auteur for the twenty-first century.” His definition of Sorrentino’s cinema as “commitment to style” summarizes his critical perspective on a filmmaker, who, Kilbourn argues, brings to life Godard’s famous statement that “the problem is not to make political films but to make films politically.” Russell J. A. Kilbourn is Professor of English and Film Studies at Wilfrid Lauriel University. His books include Cinema, Memory, Modernity: The Representation of Memory from the Art Film to Transnational Cinema (2010) and W.G. Sebald’s Postsecular Redemption: Catastrophe with Spectator (2018) Nicoletta Marini-Maio is co-founder and editor of g/s/i-gender/sexuality/italy. Recent scholarly publications center on Italian cinema, particularly the intersections between politics, gender power relations, and collective memory; and auteur cinema. Her current book project is La nazione Winx: coltivare la future consumista/Winx Nation: Grooming the Future Female Consumer, a collaboration with Ellen Nerenberg (forthcoming, Rubbettino, Italy). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

Ask this episode

“What did the council decide on item 42?” — answered with the speaker and the moment.