William Marotti, “Money, Trains, and Guillotines: Art and Revolution in 1960s Japan” (Duke UP, 2013)

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Recorded22 May 2013

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Japanese artist Akasegawa Genpei was prosecuted in the 1960s for producing work that imitated money. His single-sided, monochrome prints of the 1,000 yen note generated a wide-ranging set of debates over the nature of obscenity, the definition of counterfeiting, and the freedom of artists amid significant transformations in Japanese state,... Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies

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