Frank Wilderson III, "Afropessimism" (Liveright, 2020)

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New Books in Philosophy 57 min 1 speaker 6 chapters transcribed 22 hours ago
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What is Afropessimism and why does it differ from other anti‑Black theories?

Marshall Poe 0:00
Hi everyone, this is Marshall Poe. I'm the founder of the New Books Network, and I'm also a historian. I used to be a history professor, and I love maps, so I'm especially happy to tell you that this episode is sponsored by What's Your Map, which was the winner of the Best Education Podcast at the 2025 British Podcast Awards. What's Your Map is hosted by historian and prize-winning author Professor Jerry Broughton. In each episode, he invites a guest to share a map close to their heart and unfurl the ideas, inspirations, and stories behind it. I can tell you I've listened and it's fascinating. The podcast is in its sixth series and is enjoyed by audiences around the globe. You can explore all the maps in the podcast online.
Marshall Poe 0:39
at oculi-mundi.com while you listen. Jerry's guests include Zakiya Suwel, who's an English broadcaster and writer on Finding Albion, Yosh Schmidt, who's the head of maps at the Zurich Central Library, Pat Seed, a U.S. historian on Ptolemy's world map, John Romero, who's a legendary video game producer on The Doom Game Creator, Elif Sharak, a well-known Turkish-British novelist, and Chet Van Duser, historian who will tell you about Martin Waldseemuller's Carta Marina of 1645. I highly encourage you to subscribe to What's Your Map? It's available on Apple, Spotify, and all major podcast platforms.
Susan Liebell 1:21
Welcome back to New Books and Political Science. I'm Susan Liebel at St. Joseph's University, and today I welcome Frank B. Wilderson III, professor and chair of African American Studies, as well as a professor in the Culture and Theory PhD program at the University of California, Irvine. He spent five and a half years in South Africa, where he was one of two Americans to hold elected office in the African National Congress during apartheid. He's received prestigious awards for both his fiction and nonfiction. Today, we'll be discussing his most recent book, Afropessimism, published by Liveright, a division of W.W. Norton. in 2020. Welcome to the podcast, Frank.
Frank B. Wilderson III 2:02
Thank you. Glad to be here, Susan.
Susan Liebell 2:05
So Afropessimism is an ambitious work that combines interrogating critical theory and personal memoir. You describe your earlier assumption that anti-Black racism was analogous to the plight of the Palestinians or Native Americans or the working class. But this book is about reaching a very different conclusion about the suffering of black people as essentially different. And you actually don't foresee a resolution. And before we unpack what it means to be an Afro pessimist, can we start with how you came to write this book? I mean, you are using family memoir and I'm wondering why you chose that narrative style and how it ultimately impacted the substance of the argument.
Frank B. Wilderson III 2:58
Yes. Well, I think that I have two professional kind of training degrees. And one is in critical theory from the rhetoric department at UC Berkeley. But long before that, I had a master's in fine arts from Columbia University in fiction writing. So I've been writing vignettes and short stories and incompleted novels. based loosely or greatly on things that I've experienced and family issues, political issues that are dear to my heart for a long time, I began my PhD work in 1997 after I got back from South Africa. And at some point along the way, I had written, as many of your listeners know, two books already. One was called Incognigro, which was a pure kind of... the architecture of the book, a kind of memoir that, uh, oscillated chapters between, uh, my life growing up in the all white neighborhood in Minneapolis, Minnesota, to my time in South Africa.
Frank B. Wilderson III 4:10
And I wrote red, white and black cinema and the structure of us antagonism, which, uh, was a book in which I tried to add a kind of, uh, macro level, explain the stakes and interventions of Afro pessimism and use, uh, film theory and film analysis to do that. What happened with this book is in 2017, the New Press and Verso Press called me separately and asked for something. We were talking it through, whatever they wanted. I was happy to be called. And it turned out to be something like a book of political essays, but it would have to be aimed at a reader who

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