Chapter 1: What is discussed at the start of this section?
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The volume. Baby D, you want me to do the clock? Because you all fucked up today. You sure? Can you see? Are your eyes open behind the shades?
She didn't even hit the button.
Baby D, are your eyes open behind the shades, Baby D? Please.
We're standing in solidarity with you. For the people that can't see this and are listening, we all have on sunglasses because Damaris is feeling under the weather, not because of natural causes, but because of things she caused herself with alcohol. So, yeah, we're standing in solidarity, all wearing sunglasses. It's the hangover cast.
Baby D, why would you do that to yourself, Baby D?
I didn't. You don't even understand how this really isn't my fault. Like, it really isn't my fault. When I when I cause when I. Sorry.
It's OK. Use your vowels.
When I come in here hungover of my own accord, I take responsibility. Burgers and bottles, shit like that. When I got drunk against my will, when I really didn't want to.
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Chapter 2: Why are the hosts wearing sunglasses?
Now I'm just pissed. Well, I'm here. We should press charges.
Yeah, how does one get drunk against their will?
Bro, I got drunk on Saturday. That was my will. I willed that, whatever. I was hungover all day Sunday. Mind you, Sunday, I'm fucked up. I don't feel good. I'm like, you know, I promised my friend Allison that I would take her to Pergola for, because she just graduated nursing school. Congratulations.
Chapter 3: What happened during Baby D's hangover?
Yes, congratulations to her. I promised her I would take her. I'm like, you know, I'm just going to fight through, take you to Pergola. Alex comes, right? Yeah. Y'all know Alex. Same person that got me kicked out the Ice Bice show. We're at Pergola. Shots start coming. They're like, yo, we just going to go to the club for an hour. How? Why are we going to the club for an hour? We're at dinner.
It's a Sunday. We have families. You see what I'm saying? It's about to be Christmas. It's presents under the tree. Why the fuck is we going to the club for an hour?
Never heard you speak that way before.
That's fucking insane. Like, honestly. I like to hear Alex's side of this entire thing, Miss Eddie Haskell, because for some reason it's always her fault. It's literally always her fucking fault. It's always her fault. So next thing you know, it's six of us and there's three bottles of Ace of Spades and three bottles of Don Julio coming towards us. Oh, that's what did it. Champagne and tequila.
Yeah. Yeah.
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Chapter 4: How did the hosts react to the Jake Paul fight?
That's why you feel this way.
I feel like shit. So that's that. The fact that Pergola is not enough and you need more is crazy.
To me, Pergola is a club. No, that was just that was just the opening. I'm going to go get a family. I've decided that I need someone to be accountable to. I need somebody to answer to. I'm going to go. I'm going to have a kid and get married and have a family. OK. Because I can't. I can't.
No, no, no, no. What happened to the kinder man shit? I'm cheap first. I don't cheat back. Yeah. Bust first. I don't bust back. What happened to all of that? Don't go get a family now. Now she want a family to settle down. She want kids. That hangover will clear about 530. Baby D going to shake ass tonight. She going to be in the spot tonight.
If not tonight, definitely while y'all hearing this on Tuesday night, she'll be in the club somewhere shaking ass. Don't let Baby D fool you. She just hurt. She on the IR right now. Injury reserve. Sprained ankle. She got a sprained ankle. She going to ice her ankle. You know, she'll be back ready for game two tomorrow night. Don't worry about it.
I kind of feel like the guy that missed the card to the robbery and they all got caught. And now they're all doing 15. Because I was supposed to go. Oh, that's called something else. What is that? The rat. The rat?
We all got locked up. You didn't make the, you didn't show up. I mismanaged my time and I missed the meeting spot. You didn't see, you didn't see when he was like, yo, where you was at? Why you ain't making, you was busy telling.
You gave the drop the dime. In the Sopranos when Tony B went to jail for like 20 years for a robbery and Tony was supposed to be there, but he had like a panic attack and passed out. And then he said two black guys robbed him. That's why he couldn't make it.
Oh, that sounds like Jesse Smollett, right?
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Chapter 5: What is the role of collaboration in stand-up comedy and rap?
Comedy's always been different in that space, though.
I mean... Like, the greats had writers. The great comedians had writers. I mean, I know Richard Pryor and Paul Mooney had some type of situation. I know there's always been... What's the oldest Wayne brother? Keenan. Didn't Keenan write something with Eddie before Raw? He's in the credits, I want to say. I know that's been there, but it's been...
not confirmed that they were writing for the stand-up. I know some people said, oh, he didn't wrote that sketch that went before it. It wasn't like he was writing for Eddie. That's always been a thing with stand-up comedy. That has to be your perspective. The same way you look at rap. No, the perspective can be yours.
Sketch comedy, screenwriting, movies, all that, of course, is a collaborative process, but I feel like the real standup comedians look at it the same way the real rappers do. Like this can't be a collaborative thing. If we want to do a sketch together, that's fine. We want to write a movie together, let's collaborate. But your standup should be coming from your perspective and your thoughts
Yeah, but Kev has the Red Cup boys, right? Is that the Plastic Cup boys? Yeah, Plastic Cup boys. Plastic Cup boys. A lot of them collab and kind of like... The perspective as a comedian can be yours. But if I have funny friends that are comedians as well, they will then help me kind of like curate... Punch up some stuff.
Again, I'm not saying, you know, Kev is any less of a stand-up because he has some of his friends help him out with it.
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Chapter 6: How does 21 Savage's tweet impact the discussion on street culture?
I'm not saying any of that, but... Typically, it's been that way in stand-up comedy the way it has been with real MCs, real hip-hop type of thing. I feel like those two things have mirrored each other. Where you can collaborate on a song, a hook, you can collaborate on a sketch, on a movie, but nah, this has to be you. The verse has to be you. The stand-up has to be you.
Yeah, I mean, but I don't know. I'm sure comedians could teach T.I. certain tricks. They're like, oh, that's a good idea. Here's a better way to go about it. I wouldn't be mad at that. That's just mentorship and everything, which I'm sure every stand-up has had.
Yeah. I don't want to put writers on him if he hasn't said that.
Listen, if this is what T.I. wants to do with his life, more power to him. No, I'm serious. No, I'm not. I'm smiling for something else. Continue your thought. Yeah, I think it's when people clown...
people for going into other lanes like what's wrong with trying shit isn't that the point of like being here i'm not if this is something ti is passionate about like yeah you know what i'm gonna go try that shit i give him props it's just so funny i give props to uh jake paul for getting in a ring with a monster yeah i think you tried it it's so funny because ti seems like such a serious person so to see him sweat i mean granted like i've cut
kept up with him his personal life and things like that because of his show he had a very good reality tv show with his family but he just seems to be such a serious person so to switch and do like stand-up comedy is like it's just such a totally different lane so i can understand why people wouldn't take him serious but he just gotta prove him wrong so yeah that's just tough though because if i go to the comedy club i'd be like that's ti
Yeah. Even if he's saying something funny and like is doing a great bit, I'm not going to get past this T.I.
That's the hardest part for T.I. I think through this whole thing is people being able to differentiate between T.I. the rapper, the artist and T.I. the comedian.
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Chapter 7: What are the implications of saying 'fuck the streets'?
Because no matter what, I'm looking at T.I. on stage. Yeah. So it's like if I go.
But he did great with acting. I never felt. Anytime he's acted, they're like, oh, that's T.I. Which with some actors, I've felt that way. Like, I'm not watching this character.
I'm watching... Yeah, like, you know how hard it would be to go to a show and Jeezy come out and start telling jokes?
Yeah.
T.I. 's funny, but it's like, geez, if you don't turn that TM 101 on and get to these, but fuck this comedy shit. Like, it's hard for those guys to transition into something. It's fucked up, but that's a real thing. It's hard to get people to love you for something polar opposite of what they already love you for. They love you for rapping in certain bars and, you know, that street shit.
And then you come out here and the Barclays on stage in Brooklyn cracking jokes? Yeah. And I might want to hear that shit, man.
It's tough. I'm sure T.I. does respect, though, because he is such a great rapper and knows what it takes to do that as far as pockets, cadences, words, sculpting a verse. That's the same with stand-up. As far as pockets, as far as timing, as far as how we just watched Chappelle, how everything ties back together. There's an art to it. So I'm sure he understands that because he's a rapper.
I just don't know if that's going to show up It's different, man.
It's different with stand up. You don't have that music. You don't have that energy. You know what I'm saying? Of the music behind you to support what you're saying. Stand up. You know, you write a bar and you get to the punchline and you're like, that's hard when you say it with a beat.
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Chapter 8: How do personal experiences shape views on street culture?
Gets the crowd back in. As I was saying.
Like I was saying before. Yeah. Yeah. Because that's what they love you for. That's what they know you for. That's what you've built your platform on is music. You know, and again, we love trying things. We love to see people trying different things and being passionate about doing other things. You know what I'm saying?
But, you know, when you talk about stand up comedy, stand up comedy to me is kind of like boxing. You can't just play around with that. No, I agree. You got to go through the ringer like you just started doing comedy when? We've been going to the comedy club since we was 17, 18, going on stage, bombing, getting booed, all of that.
And now with like a Dave Chappelle where he's at in his career, that didn't just happen overnight for Dave Chappelle.
Well, that's the funny thing about standup. If you look at all the greats, it's not like music where typically the person is in their 20s, they're younger when they make it. Yeah. Most of our favorite legendary comedians made it post 35 years old. Some made it at 40. Kev Hart, Seriously Funny, was like, I don't know, third or fourth. He had been working for 15 years.
I think he was 35 when that came out. It's not easy. Bill Burr made it when he was old. They grinded for 20 years before and then they made it when they got older. Because it takes that long to get that good at that type of shit. Louis C.K. was old as shit when he made it.
Comedy is something. It's funny, but it ain't funny if you ain't funny. It's funny, but it ain't funny if you ain't funny.
You could also be a funny, you could be the most hilarious person on earth and that doesn't matter with standup. Yeah. Standup is art. You could be funny. I think we're all very funny. And I also think we will all suck at standup.
I had a friend who was like, all of us would, it would take up years and years and years to get good at it. I had a friend who was like super funny on the block. You know, you know that one friend with like this nigga and we all told me, yo bro, you need to get into comedy. You would, He was like, we're hurting. Like, yo, bro, like, you, every time we out somewhere, you got the mic.
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