Mother Mary

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Pop Culture Happy Hour 20 min 5 speakers 8 chapters transcribed 4 months ago
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What is the main topic discussed in this episode?

Unknown 0:00
Thanks for watching.

What is the premise of the movie Mother Mary?

Aisha Harris 0:28
The surreal melodrama Mother Mary stars Anne Hathaway as a Gaga-esque pop star facing an existential crisis. And so she turns to her former costume designer and estranged friend, played by Michaela Cole, to find herself again. The movie's tagline warns us that this is not a love story and it's not a ghost story, but there is some complicated love and there might be a ghost. So what is it exactly?

How do the characters Anne Hathaway and Michaela Coel reconnect?

Aisha Harris 0:53
I'm not sure about that, but at least there's one thing that's for sure. This is a visual marvel to behold. I'm Ayesha Harris, and today we're talking about Mother Mary on Pop Culture Happy Hour from NPR.
Unknown 1:10
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What themes of betrayal and reconciliation are explored in the film?

Unknown 1:25
T's and C's apply.
Aisha Harris 1:28
Joining me today is NPR producer Mark Rivers. Hello, Mark.
Mark Rivers 1:31
Hey, Aisha. Thanks for having me.
Aisha Harris 1:32
Great to have you.

What role does music play in the narrative of Mother Mary?

Aisha Harris 1:33
And also with us is Sydney Madden. She's a music and culture critic. Welcome back, Sydney. What's up, Aisha? Thanks for having me. Great to have you both. So Anne Hathaway plays the titular Mother Mary, a highly theatrical pop star who's at a personal and artistic crossroads. Just a few days away from a highly anticipated comeback performance, she shows up out of the blue on the doorstep of her former bestie and costume designer, Sam. who she hasn't spoken to in years. Sam's played by Michaela Cole. Now, she wants Sam to design her look for the show, something that will feel like herself.
Michaela Coel 2:07
Will you let me do whatever I like? Yes. Will you do exactly as I say? Yes.

How do the performances of the lead actors enhance the film?

Michaela Coel 2:14
And will you wear what I make?
Aisha Harris 2:18
The reunion resurfaces old wounds and forces them to confront the reasons for their fallout. And then things get spooky and really weird. And some would say maybe incomprehensible, but whatever. There are a few big concert numbers here. The songs were penned by Jack Antonoff, Charlie XCX. She's everywhere in the movies lately. And FKH Wigs, who has a small but notable role here. David Lowery directed. He previously made The Green Knight and A Ghost Story. And Mother Mary is in theaters now. Sydney, I'm going to start with you, especially curious to hear about your music thoughts. But first, tell us how you felt about what this movie was doing, trying to do whatever this is.
Sydney Madden 3:03
I mean, trying to do, it's a lot. It's a lot.

What visual elements make Mother Mary a unique cinematic experience?

Sydney Madden 3:06
There's a lot going on in this movie. Some of it is really great and some of it is pretty mid. And I'm not even going to say extra and too much. Some of it is just unnecessary, to be honest. I haven't been torn over a movie like this in a minute because of... all the competing narratives, to be quite honest. It's too much neck to quita in a few key spots. I went in personally thinking it was going to be a fashion and music film, which are psychological and cultural touch points that I'm always looking at. But then when it switches, I understand it, but it doesn't entertain me, if that makes sense. I want to get to the great parts first. The great part is... is Michaela Cole and Anne Hathaway sparring, going back to back, line for line, bar for bar in here.
Sydney Madden 3:56
The tension between them is just so magnetic and spine-tingling and funny that that really is what keeps you engaged for a very long time. There's points when Michaela Cole playing Sam, the designer, you think she's going to start to forgive, and then she pulls all the way back. And it's like you're getting an eye into –

How does the film address the dynamics of pop stardom and artistry?

Sydney Madden 4:19
the really deepest wounds and the deepest parts of their fight. Even when they're kind of not even saying that much, to be honest.
Mark Rivers 4:27
They were doing a lot of not saying what these wounds were.
Sydney Madden 4:31
They were doing a lot of not saying, but the tight shots of them not saying and even the expression on their face, the emotiveness on their face. And I think there was something in the press notes about how this actually started in David Lowery's mind as just a static scene between two characters that represent two parts of his own consciousness that were warring against each other.

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