"Working with dance is to push a future of how we can use our bodies"“What we understand as dance can be expanded”The conversation is in English with Danish introduction - see English shownotes below.Koreograf Adam Linder har arbejdet med koreografiske værker på nogle af verdens største museer – og han er nu aktuel med et nyt værk for Dansk Danseteater – DRIP TEKHNE.I studiet med prøveleder Patricia Seron Pawlik og projektudvikler Anne Sophie Gertz møder han Charlotte Sprogøe, kurator specialiseret i eksperimenterende udstillingsformater. Kurator og koreograf gør os klogere på, hvad koreografi og den levende krop på et museum gør for kunsten og for tilskueren, hvad man får ud af at hyre en koreograf på timebasis og hvordan Adams forskellige tilgange til bevægelse udfolder sig i dansestudiet og det kommende værk.ENGLISH:Choreographer Adam Linder has worked on choreographic pieces at some of the world's largest museums – and he is now presenting a new work for Danish Dance Theatre – DRIP TEKHNE.In the studio with rehearsal director Patricia Seron Pawlik and project developer Anne Sophie Gertz, he meets Charlotte Sprogøe, a curator specializing in experimental exhibition formats. The curator and the choreographer talk to us about what choreography and the living body in a museum bring to art and the viewer, what happens when you hire a choreographer on an hourly basis, and how Adam's different approaches to movement unfold in the dance studio and the upcoming piece.CREDITS:Concept: Marina Mascarell, Julie Schlytter, Natalie Sloth Richter, Patricia Seron Pawlik og Anne Sophie GertzMusic, mix and masterering: Mikkel LarsenGraphics: Søren MeisnerRecording and editing: Anne Sophie GertzHosts: Patricia Pawlik og Anne Sophie GertzGuests: Adam Linder & Charlotte SprogøeThanks to: The Royal Danish Theatre

Ask this episode

“What did the council decide on item 42?” — answered with the speaker and the moment.

Transcript

Related