The Tall Dog of Barrow Heights | Part 3
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What is the Tall Dog and how does it first appear in the story?
Part three. The second drawing. The three-dimensional world is ripped away, replaced by the lines of a child's drawing. Shuddering crayon strokes against a white void, as if the paper itself was afraid. Florence sits in her cage, knees to her chin, arms wrapped around her shins. She's drawn herself small, smaller than the pipe above her, smaller than her own dress, as if to disappear entirely. Above her, a crooked pipe drips blue teardrops into her upturned mouth. That pipe was all she had. The only thing keeping her alive after her father's heart gave out. She didn't know he was dead, and the footsteps had stopped coming because there was no one left to make them. She just knew the food stopped, and the water kept dripping, and the thing in the dark kept watching.
The same darkness begins to move. The black scribbles near the edge thicken, layering over themselves, building density the way a child darkens a corner of a page by pressing harder and harder and harder until the crayon snaps. Something steps out of it. Fur is rendered in short, vicious strokes. The ears droop, past its shoulders in long, precise curves, and the face, that elongated equine face with its two wide mouth and its perfect rectangle teeth, each one drawn individually, each one the same size, filling the grin from edge to edge like piano keys. A child didn't draw this. This drew itself. It's too tall for the frame. The skull breaches the edge and into the white void above. That empty nothing space where the drawing ends and some other dimension begins.
Its body is visible from the chest down, the bent, mantis-like posture, the arms that hang well past its knees, the fingers that taper into points thin enough to pierce skin. But it's the eyes that chill me. Two hollow circles, round and empty, like someone pressed pen to page and twisted until it punctured reality. It stands there. Watching. It's studying my outline, empty eyes crinkling smaller than wider. It grins. It's the look of a creature that spent a long time searching for something it's finally found. It lurches toward me, arm outstretched when Oh. It stops, looks down. Florence has lifted her head to face the beast. The speech bubble above her is faint, the letters small and unsteady.
You're back. I didn't hear you.
The tall dog's gaze drifts away from me with the unhurried patience of something that exists beyond time. It opens its mouth, closes it, its teeth click, clack. Did you stop him? Florence asks. Did you make sure dad can't hurt anyone else? The tall dog's head dips, rises. It's a slow marionette nod, a learned gesture. Can you help me out of here now? she asks. It moves. One frame it's across the room, and the next, its face, presses against the cage, close enough that its teeth touch wire. Here, girl, it says. One long finger reaches up and taps the blue pipe above the cage. The dripping stops, and from inside the copper, a voice spills out that's tinny and distant. It's a girl. Crying.
Where are you, Florence? You and Dad were supposed to be back days ago.
It's a six-year-old Agnes, calling into the buildings plumbing from some bathroom or kitchen, ten floors above, not understanding why the pipes carry sound so well, not understanding anything except her twin is gone and nobody will tell her why.
Police walked all over the campsite, but there's no sign of you. Mama won't stop crying. I don't I don't know what to do, Flor. Please come home. We miss you.
Florence's stick figure body vibrates with urgency, the lines blurring at the edges. Agnes? Agnes, I'm here! I'm in the A branch-like finger presses against her lips. The tall dog holds it there, gently. Smiling. With its other hand, it slides a drawing beneath the cage door. The drawing is its own. It's dense, nearly abstract, a thicket of dark strokes that make me sick. Florence studies it, and her expression shifts, her mouth flattening, the circular eyes widening, her speech bubble narrows, the text inside shrinking as though she's lowering her voice to keep Agnes from hearing. You want Agnes to send the boy next door to the basement?
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Chapters
8 chapters
1
What is the Tall Dog and how does it first appear in the story?
0:00–6:35
2
How does Florence communicate with the Tall Dog and what does it demand?
6:35–12:49
3
What triggers the hunter’s descent into the basement and the encounter with the Tall Dog?
12:49–17:50
4
How does the Tall Dog capture and torment Tyler, and what does the hunter try to do?
17:50–23:50
5
Why does the hunter’s revolver fail and what alternative plan does he devise?
23:50–29:48
6
How does the explosive confrontation affect the Tall Dog and the building?
29:48–35:21
7
What causes the house to collapse and how do the characters attempt to escape?
35:21–40:04
8
How does the story end and what is the final fate of the hunter and the Tall Dog?
40:04–44:23
Speakers
1 identifiedMore from Scary Horror Stories by Dr. NoSleep
The Tall Dog of Barrow Heights | Part 2
The Tall Dog of Barrow Heights | Part 1
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