Howard Hawks’s 1940 film His Girl Friday knits together two plots from two very different genres. One is a romantic comedy that intends to reunite its main couple in something like wedded bliss. The other is a dark drama of murder and corruption, complete with a gallows lurking just outside the window and a suicide attempt that takes place on screen. Yet Earl Williams and Hildy Johnson’s fates in their respective plots are twinned. Both are, in a sense, looking for their own reprieves. And Hildy has her own production-for-use dilemma. What was she made for—the life of a newspaperman, or the life of a housewife? To what kinds of production should we devote our own lives? What are we made for—risk and adventure or security and insurance? Wes & Erin discuss.

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“What did the council decide on item 42?” — answered with the speaker and the moment.

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