The short stories we cover in this episode pit the magic of art against that of scientific discovery. In one story, a woodcarver transcends his materials and his own humble talents to create a sculpture that bears an otherworldly resemblance to a real woman. In the other, a scientist uses his estimable but flawed powers to improve on Nature’s design by removing a birthmark from his wife’s otherwise-perfect face. The varying results of these efforts seem to correspond to the extent with which love, that most magical of forces, underscores them. “You cannot love what shocks you,” the scientist’s wife remarks when her husband expresses how disturbed he is by her imperfection. What’s the difference between collaborating with Nature and mining her secrets? Where is the line between imitation and interpretation? And can love only work its magic through the creative, rather than the critical, faculty? Wes & Erin discuss two short stories by Nathaniel Hawthorne: “The Birth-Mark” and “Drowne’s Wooden Image.”

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“What did the council decide on item 42?” — answered with the speaker and the moment.

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